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Fantastic Four #213 front cover
~8.5 AI-Estimated
Approximate
Condition Profile
FANTASTIC FOUR #213
MARVEL COMICS · 12/79 · NEWSSTAND
UNIT ECA-039329

FANTASTIC FOUR #213

Bronze Age Fantastic Four adventure featuring Marv Wolfman scripting and John Byrne art

SIG 2/10 Available

// Unit specification

PublisherCover dateEraVariantKey attributeStatus
Marvel Comics December 1979 Bronze Newsstand AVAILABLE

// Copies in archive

UnitGradeVariantStatus
ECA-028022 ~9.2 Newsstand AVAILABLE
ECA-039329 ~8.5 Newsstand AVAILABLE
ECA-039662 ~8.5 Newsstand AVAILABLE
ECA-039638 ~8.0 Newsstand AVAILABLE

// Run position

Part of an unbroken run · #1–#319 · 319 issues View all 379 available issues of FANTASTIC FOUR →

// Condition analysis

⚠ AI-Estimated / Approximate Condition Profile

Cover shows strong gloss and sharp corners with no visible creases or color breaks. There is minor edge wear at the top and bottom right corners and a faint vertical crease line near the spine at mid-book. The UPC barcode box confirms newsstand edition; overall the cover presents clean with only light handling wear. Interior and back cover were not assessed, so grade is based solely on the visible front cover.

// Valuation — market reference

⚠ AI-Estimated values — approximate, not an appraisal
BracketGradeEst. market valueMarker
LOW_RAW 0.5 – 1.5 $3
MID_RAW 4.0 – 6.0 $10
HIGH_CERT 9.8 SLAB $100

// Archive commentary

Fantastic Four #213 arrived in late 1979 during a transitional period for Marvel's first family, with Marv Wolfman handling the writing chores and John Byrne on pencils, a few years before Byrne would take over the title as full writer-artist and reshape it for the 1980s. The issue is a standard entry in the long-running series, continuing the team's ongoing adventures without introducing a major new character or plot element that has since become a widely cited touchstone in the character's history.

Market activity for this issue is sparse, reflecting its status as a mid-run Bronze Age comic rather than a recognized key. Certified sales cluster at the low end, with mid-grade copies trading in the single digits and higher-grade copies commanding modest premiums; the lone CGC 9.8 sale demonstrates that top-condition census copies can achieve a meaningful jump in value, but the overall pool of graded sales remains thin. Demand is driven primarily by Fantastic Four completists and Byrne-era collectors rather than broad speculative interest.

This issue suits collectors building a complete run of the series or focusing on early Byrne artwork, rather than investors seeking blue-chip key issues. Raw copies in low and mid grades trade cheaply and are readily available, while a true CGC 9.8 represents a scarcity play given the near-total absence of higher-grade census population; buyers pursuing the top slab should expect limited comparables and rely on the rarity of surviving high-grade examples rather than an established sales history.

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