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Fantastic Four #213 front cover

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~8.0 AI-Estimated
Approximate
Condition Profile
FANTASTIC FOUR #213
MARVEL COMICS · 12/79 · NEWSSTAND
UNIT ECA-039662

FANTASTIC FOUR #213

Bronze Age Fantastic Four adventure featuring Marv Wolfman scripting and John Byrne art

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// Unit specification

PublisherCover dateEraVariantKey attributeStatus
Marvel Comics December 1979 Bronze Newsstand — LISTED ON EBAY

// Copies in archive

// Run position

Part of an unbroken run · #70–#319 · 250 issues View all 361 available issues of FANTASTIC FOUR →

// Condition analysis

⚠ AI-Estimated / Approximate Condition Profile

Graded at 8.0 (VF) on 2026-11-04, from new photos taken out of the sleeve: front and back. Thin pale strip down the front at the spine. Light speckled rub on the blue above the barcode. Tiny tick low on the spine. Corners close to sharp. Back cover clean.

// Valuation — market reference

⚠ AI-Estimated values — approximate, not an appraisal
BracketGradeEst. market valueMarker
LOW_RAW 0.5 – 1.5 $3
MID_RAW 4.0 – 6.0 $10
HIGH_CERT 9.8 SLAB $100

// Archive commentary

Fantastic Four #213 arrived in late 1979 during a transitional period for Marvel's first family, with Marv Wolfman handling the writing chores and John Byrne on pencils, a few years before Byrne would take over the title as full writer-artist and reshape it for the 1980s. The issue is a standard entry in the long-running series, continuing the team's ongoing adventures without introducing a major new character or plot element that has since become a widely cited touchstone in the character's history.

Market activity for this issue is sparse, reflecting its status as a mid-run Bronze Age comic rather than a recognized key. Certified sales cluster at the low end, with mid-grade copies trading in the single digits and higher-grade copies commanding modest premiums; the lone CGC 9.8 sale demonstrates that top-condition census copies can achieve a meaningful jump in value, but the overall pool of graded sales remains thin. Demand is driven primarily by Fantastic Four completists and Byrne-era collectors rather than broad speculative interest.

This issue suits collectors building a complete run of the series or focusing on early Byrne artwork, rather than investors seeking blue-chip key issues. Raw copies in low and mid grades trade cheaply and are readily available, while a true CGC 9.8 represents a scarcity play given the near-total absence of higher-grade census population; buyers pursuing the top slab should expect limited comparables and rely on the rarity of surviving high-grade examples rather than an established sales history.

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