Approximate
Condition Profile
MARVEL COMICS · 3/03 · DIRECT EDITION
UNIT ECA-000932
X-STATIX #8
X-Statix #8 (Marvel, 3/2003) — Milligan & Allred's cult media-satire mutant run, direct edition.
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | March 2003 | Modern | Direct Edition | — | AVAILABLE |
// Run position
// Condition analysis
Cover shows sharp, unblunted corners and clean, glossy surfaces with vibrant Allred color art and no visible fading. No spine stress lines, creases, or color breaks are evident along the spine edge in this image, and the surface appears free of scuffs or stains. Minor unevenness in lighting/glare near the top edge prevents a full top-grade assessment; interior pages and back cover were not examined.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $2 | |
| MID_RAW | 4.0 – 6.0 | $4 | |
| HIGH_CERT | 9.8 SLAB | $45 |
// Archive commentary
X-Statix #8 is a mid-run installment of Peter Milligan and Mike Allred's reinvention of X-Force, the Eisner-nominated ongoing that ran twenty-six issues from 2002 to 2004. Emerging from the pop-art sensibility Allred brought to the title and Milligan's biting satire of celebrity culture, the series recast a mutant super-team as media-manufactured reality-TV stars, tackling body image, identity, addiction and mortality with a tone unlike anything else in the Marvel line of its era. This issue continues the team dynamic among the Orphan, the Anarchist, Doop, Venus Dee Milo, Phat and Vivisector, with Mike Allred cover and interior art and Laura Allred's distinctive palette. It is a standard story issue rather than a first appearance, origin or landmark debut.
The book's market profile is driven by the run's enduring cult reputation rather than by any keys within this specific number. X-Statix was a low-selling title in its day and was cancelled, which keeps surviving high-grade populations relatively small, but collector demand concentrates on the debut issues, the Princess Diana/Henrietta Hunter controversy issues later in the run, and complete-set assembly rather than on individual mid-run books like #8. As a result raw copies move at or close to cover, while certified copies command a premium chiefly from set builders and Allred completists pursuing top-census grades.
The collecting outlook here is steady but narrow. Buyers are principally Milligan/Allred devotees, X-Men run completists, and readers who discovered the team through later Doop and Giant-Size X-Statix revivals. Raw examples are inexpensive and plentiful enough to fill runs, mid-grade copies carry little premium over low grade, and the meaningful step-up occurs only at the top certified tier, where scarcity of graded copies rather than broad demand sets the price. This is a solid run book to hold within a complete set, not a speculative single.
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-000932 | ~9.4 | Direct Edition | AVAILABLE |
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