OUR ARMY AT WAR #246
Sgt. Rock adventure with a Joe Kubert cover, DC's Our Army at War #246 (June 1972)
// Unit specification
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-013162 | ~6.0 | — | AVAILABLE |
// Run position
// Condition analysis
Cover is protected in a plastic sleeve; overall colors remain bright with good gloss. There is noticeable moisture/water staining along the upper right corner and some rippling/waviness across the cover, particularly visible near the top edge and center. Spine shows mild wear with no major ticks visible, and corners appear reasonably sharp though slightly soft at bottom left. Interior and back cover were not assessed.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $3 | |
| MID_RAW | 4.0 – 6.0 | $10 | |
| HIGH_CERT | 9.8 SLAB | $270 |
// Archive commentary
Our Army at War #246 arrived in mid-1972 as part of DC's long-running war anthology anchored by Sgt. Rock and Easy Company, a title that by this point had become one of the publisher's most consistent showcases for Joe Kubert's distinctive, gritty combat artwork. Robert Kanigher's scripts and Kubert's visual command defined the series' identity through the Silver and Bronze Ages, and issue #246 continues that house style without introducing any new characters, creative shifts, or landmark story beats that would elevate it beyond a solid entry in the run.
Market data reflects a typical mid-grade war title from the era: certified sales cluster in the low double digits at mid-grades, rising steeply toward the top of the census, where only a handful of 9.6 and 9.8 copies exist and command a meaningful premium. Demand is driven primarily by Kubert cover-art collectors and Sgt. Rock/Easy Company completists rather than broad crossover interest, and the thin population at the highest grades amplifies price sensitivity for well-preserved copies.
This is a book for war-comics specialists and Kubert admirers building a representative run rather than speculative buyers chasing a key issue. Raw copies in low and mid grades trade cheaply and are readily available, while CGC 9.8 examples are scarce enough that pricing reflects rarity at the top of the census more than any inherent story significance. Expect steady, unspectacular demand across the grading spectrum, with the bulk of value concentrated in high-grade slabs.
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