OUR ARMY AT WAR #239

Cover shows moderate wear consistent with a mid-grade Bronze Age book: soft corners, some surface scuffing and minor color rubbing along the spine, and slight edge wear at the top and bottom corners. There is a visible crease/wear line near the top right corner and light waviness to the cover stock suggesting humidity exposure. No major tears, missing pieces, or writing are visible, but the book is in a plastic sleeve which limits full assessment; interior and back cover were not examined.

Our Army at War #239, cover-dated December 1971, is a standard issue from DC Comics' venerable war anthology series, which by this point had become almost synonymous with its recurring headliner, Sgt. Rock, and his unit, Easy Company. The title had been running since 1952, and by the early 1970s its creative direction was firmly in the hands of writer Bob Kanigher and artist Joe Kubert, the team most responsible for shaping Rock's gruff, weary persona into one of DC's most durable non-superhero characters. This issue arrives well into that established Kanigher-Kubert stretch, offering the kind of grounded, foxhole-level combat storytelling the series was known for rather than any landmark event in the character's publishing history.

The book carries no first appearance, no origin story, and no notable death or creative departure that would elevate it beyond its place as one of hundreds of similar issues published across Our Army at War's run. Market data reflects this squarely: the title trades at bulk-stock levels, with unassigned or minimal guide values typical of mid-run war anthology issues from this era. Demand is driven almost entirely by Kubert's cover and interior art, which retains a following among war-comics specialists and Golden/Bronze Age completists, rather than by any speculative key-issue interest.

Collectors of this issue are typically series completists, Sgt. Rock fans assembling a full run, or admirers of Joe Kubert's war-comics work looking for affordable examples of his linework. Raw copies move steadily but modestly across grades, with condition driving most of the price difference since the content itself carries no premium. High-grade certified copies are scarce simply because so few examples were preserved with care, making a well-centered 9.8 slab a genuine outlier rather than a reflection of underlying demand for the issue itself.