GORGO #6
Charlton's giant movie-monster tie-in series, scripted by Joe Gill
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Charlton Comics | April 1962 | Silver | — | — | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-010130 | ~3.0 | — | AVAILABLE |
// Run position
// Condition analysis
Cover shows overall tanning/aging with soiling along the top and left edges, and a visible vertical crease/wear line along the left side near the spine with blunted, soft corners. Multiple small edge nicks and chips at the bottom and right edges, plus light color-break creasing at the lower left corner. Cover is complete and reasonably flat; glare from the bag obscures parts of the surface. Interior pages and back cover were not assessed from this single photo.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $10 | |
| MID_RAW | 4.0 – 6.0 | $28 | |
| HIGH_CERT | 9.8 SLAB | $300 |
// Archive commentary
Gorgo #6 is part of Charlton Comics' short-lived tie-in series built around the 1961 British monster film of the same name, launched to capitalize on the wave of giant-creature cinema popular in the early 1960s. Scripted by Joe Gill, Charlton's prolific in-house writer, under editor Pat Masulli, the series followed the rampaging title monster in original adventures once the film's premise had been exhausted. The book is representative of Charlton's low-budget, high-output monster and adventure line of the period, produced quickly and cheaply for a newsstand audience rather than positioned as a flagship title.
Market data for this issue is thin, consistent with a low-demand Silver Age Charlton book: census counts are small across all grades, sales are infrequent, and no certified copy has reached the 9.4-10 range. Fair market values recorded in the 6.5 to 9.0 grade band cluster tightly between $50 and $75, showing little grade-driven differentiation in that middle range, which points to a market where scarcity of buyers rather than scarcity of copies is the limiting factor. The absence of any 9.6-10 census entries suggests either genuine rarity at the top end or simply insufficient submission volume to populate those grades.
Gorgo material draws a narrow but steady collector base: Charlton completists, monster-movie tie-in enthusiasts, and Silver Age horror/sci-fi generalists rounding out a themed run. Lower-grade raw copies trade cheaply and are readily available to casual buyers, while mid-grade raw copies see modest premiums from readers wanting a presentable example. A top-tier CGC 9.8, were one to surface, would likely command a significant premium over any currently certified copy given the complete absence of high-grade census data, though actual demand at that level remains speculative given the book's overall niche following.
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