Approximate
Condition Profile
MARVEL COMICS · 7/77 · NEWSSTAND
UNIT ECA-039520
FANTASTIC FOUR #184
Bronze Age Fantastic Four team-up with Thundra, Tigra, and the Impossible Man, penciled by a young George Pérez
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | July 1977 | Bronze | Newsstand | — | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-028109 | ~8.5 | Newsstand | AVAILABLE |
| ECA-039520 | ~6.5 | Newsstand | AVAILABLE |
// Run position
// Condition analysis
Cover shows a diagonal crease running across the upper right corner extending into the artwork near the top staple area, along with mild corner wear at the top corners. There is slight surface wear and minor rubbing along the spine, with no major color breaks visible. The book is in a protective sleeve which slightly obscures fine surface detail; interior and back cover were not assessed.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $1 | |
| MID_RAW | 4.0 – 6.0 | $5 | |
| HIGH_CERT | 9.8 SLAB | $160 |
// Archive commentary
Fantastic Four #184 is a mid-1970s team-up issue scripted by Len Wein and drawn by George Pérez early in his tenure on the title, inked by longtime FF veteran Joe Sinnott. The story brings together Thundra, Tigra, and the Impossible Man alongside the core team, with the Eliminator serving as the issue's antagonist. It is a representative example of the era's ensemble-driven plotting rather than a debut or origin story, and it holds no first-appearance or landmark-creator-work status within the Fantastic Four's publishing history.
Market data reflects a plentiful, well-circulated Bronze Age title: certified population is large relative to sales activity, and per-grade values climb only gradually through the mid grades before spiking sharply at the top of the census. That pattern is typical of a common newsstand book where raw copies in low and mid condition are readily available and inexpensive, while pristine 9.8 slabs command a real premium simply because so few copies survive without any handling wear, cover gloss loss, or spine stress from the drugstore-rack era.
This issue trades primarily as a Pérez-run completist purchase and as inexpensive bulk-run filler for Fantastic Four collectors rather than as a speculative key. Low and mid-grade raw copies move steadily at modest prices with little urgency, while CGC 9.8 examples attract dedicated grade-chasers and represent the overwhelming majority of the book's realized value. Long-term demand should track general interest in Pérez's early superhero art and in complete Bronze Age Fantastic Four runs rather than any breakout key-issue narrative.
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