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Fantastic Four #126 front cover

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~7.0 AI-Estimated
Approximate
Condition Profile
FANTASTIC FOUR #126
MARVEL COMICS · 9/72
UNIT ECA-028282

FANTASTIC FOUR #126

Roy Thomas and John Buscema's 10th-anniversary issue, cover homage to Fantastic Four #1

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// Unit specification

PublisherCover dateEraVariantKey attributeStatus
Marvel Comics September 1972 Bronze — — LISTED ON EBAY

// Copies in archive

UnitGradeVariantStatus
ECA-028282 ~7.0 — LISTED ON EBAY ↗ (opens eBay in a new tab)

// Run position

Part of an unbroken run · #70–#319 · 250 issues View all 361 available issues of FANTASTIC FOUR →

// Condition analysis

⚠ AI-Estimated / Approximate Condition Profile

Graded at 7.0 (FN/VF) on 2026-11-02, from new photos taken out of the sleeve: front, back and interior page. Clean front with mostly sharp corners. Spine fold pinched at the top staple with small notches at each end of it. Light tanning and soiling on the back cover. Cream pages.

// Valuation — market reference

⚠ AI-Estimated values — approximate, not an appraisal
BracketGradeEst. market valueMarker
LOW_RAW 0.5 – 1.5 $10
MID_RAW 4.0 – 6.0 $20
HIGH_CERT 9.8 SLAB $375

// Archive commentary

Fantastic Four #126 arrived in September 1972 as Marvel's tenth-anniversary tribute to the team, with writer Roy Thomas and penciler John Buscema crafting a story that retells and recontextualizes the group's origin against the backdrop of the era's ongoing Skrull and cosmic subplots. The issue's most cited feature is its cover, a deliberate visual homage to Jack Kirby's Fantastic Four #1, restaging the team's debut confrontation with the Mole Man's monster for a new generation of readers. Joe Sinnott's inks give the Buscema pencils their familiar polish, consistent with the art team's long, well-regarded stretch on the title through the early 1970s.

Market data shows this as a well-populated Bronze Age book with dependable but modest demand: certified population exceeds 240 Universal copies, and pricing across the mid and lower grades sits in a narrow band, with FMVs essentially flat from 4.5 through 7.0 grade. Value only begins to separate meaningfully at the top of the curve, where 9.4 and 9.6 copies show a pronounced premium and thin supply, and no 9.8 has yet been certified despite a substantial graded population — a gap that puts real scarcity pressure on any copy that might grade at that ceiling.

This is a book collected primarily by Fantastic Four run-builders and Buscema/Sinnott art fans rather than a speculative key-chasing audience, so low- and mid-grade copies trade cheaply and steadily as reading or run-filling copies. The real action is concentrated at the top of the grading scale, where the absence of a 9.8 on census means a well-preserved copy could set a new high-water mark for the issue; buyers targeting that tier should expect scarcity-driven pricing well above the established 9.6 comps.

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