FANTASTIC FOUR #112

Cover shows strong gloss and bright color with sharp corners; a light diagonal crease/scuff is visible near the upper left corner box and some minor edge wear along the spine. There is a faint stress mark near the middle of the left edge and slight fraying at the bottom right corner. The book is in a protective sleeve, so texture and interior condition could not be assessed; grade reflects only the visible front cover surface.

Fantastic Four #112 arrived during Stan Lee and John Buscema's run on Marvel's flagship title, capping a multi-issue rematch between Ben Grimm and the Hulk that had been building since issue #110. Buscema's pencils, finished by longtime FF inker Joe Sinnott, produced one of the most reproduced Thing-versus-Hulk confrontations of the era, and the cover has remained a favorite reference image in surveys of Bronze Age Marvel art even though the issue introduces no new characters and carries no origin or death.

Market data shows a book with a large certified population and steady, broad-based demand rather than speculative spikes: census figures exceed 2,600 Universal copies, with hundreds of raw-grade sales recorded across the mid and high grade bands. Pricing climbs gradually through the collector grades before accelerating sharply above 9.0, where the population thins out and premiums for the 9.6 and 9.8 tiers reflect genuine scarcity in top condition rather than speculative demand. This curve is typical of an art-and-storyline book bought for its creative team and its place in a popular story arc rather than for first-appearance significance.

Collecting interest centers on Buscema/Sinnott art collectors and Fantastic Four and Hulk crossover completists who want the cover image in their runs. Lower and mid-grade raw copies move steadily as affordable reading copies and run-fillers, while high-grade submissions attract a smaller, more competitive pool chasing top-census slabs; the wide gap between mid-grade and 9.8 pricing reflects how few copies survive in pristine state relative to demand for the image. It is a strong complementary piece for a Bronze Age Marvel collection built around classic cover art rather than a marquee investment key.