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Fantastic Four #111 front cover
~6.5 AI-Estimated
Approximate
Condition Profile
FANTASTIC FOUR #111
MARVEL COMICS · 6/71
UNIT ECA-028327

FANTASTIC FOUR #111

Bronze Age Fantastic Four from the John Buscema era, following Jack Kirby's departure from the title

SIG 3/10 Available

// Unit specification

PublisherCover dateEraVariantKey attributeStatus
Marvel Comics June 1971 Bronze AVAILABLE

// Copies in archive

UnitGradeVariantStatus
ECA-028327 ~6.5 AVAILABLE
ECA-039440 ~6.0 AVAILABLE

// Run position

Part of an unbroken run · #1–#319 · 319 issues View all 379 available issues of FANTASTIC FOUR →

// Condition analysis

⚠ AI-Estimated / Approximate Condition Profile

Cover shows moderate wear consistent with a 1969 Silver Age book: visible spine stress with slight ticking along the length, mild surface wear at the top and bottom corners, and a small amount of edge wear along the right border. Colors remain bright with no notable fading, and there are no major creases, tears, or stains visible. The book is protected in a plastic sleeve, and the interior and back cover were not assessed.

// Valuation — market reference

⚠ AI-Estimated values — approximate, not an appraisal
BracketGradeEst. market valueMarker
LOW_RAW 0.5 – 1.5 $12
MID_RAW 4.0 – 6.0 $20
HIGH_CERT 9.8 SLAB $900

// Archive commentary

Fantastic Four #111 arrived in June 1971 during the transitional period after Jack Kirby's exit from the title he co-created, with John Buscema stepping in on pencils over Stan Lee's scripts and Joe Sinnott's inks maintaining visual continuity with the Kirby run. The issue is a routine adventure entry in Marvel's flagship team book rather than a landmark chapter, but it captures a notable creative handoff moment for the series as Buscema settled into a role he would hold for an extended stretch through the early-to-mid 1970s.

Market data shows a typical long-tail Bronze Age curve: modest values through the mid-grades that climb sharply only at the top of the census, with the 9.8 tier commanding roughly forty-five times the mid-grade price despite a reasonably deep population of graded copies. Trading activity is thin across most grade bands, with sales concentrated at 9.4 and above, indicating that demand is driven almost entirely by high-grade completists building out full Fantastic Four runs rather than by any first-appearance or story-specific interest.

This is a collector's-run book rather than an investment-grade key: buyers are largely FF series collectors and Bronze Age Marvel completists seeking presentable copies to fill a title gap, with raw mid-grade copies moving steadily but cheaply and high-grade slabs the only meaningful value driver. Entry-level and mid-grade copies remain widely available and inexpensive, while pristine 9.8 examples see disproportionate premiums reflecting census scarcity at the top rather than any inherent story significance.

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