KORAK, SON OF TARZAN #22

Cover shows strong gloss and vibrant, well-preserved color with no visible fading. Spine appears tight with only faint stress lines and no major ticks visible in this image. Corners appear sharp with slight softness at the bottom right tip, and there is a small dark speck near the right edge that may be a minor surface mark or printing artifact. The book is housed in a protective sleeve, and only the front cover was assessed; interior pages and back cover condition are unknown.

Korak, Son of Tarzan #22 is a late Silver Age entry in Western Publishing's Gold Key adaptation of Edgar Rice Burroughs's jungle-adventure mythology, continuing the adventures of Tarzan's son. The issue is illustrated by Alberto Giolitti, an Italian artist known for his detailed, cinematic linework across Gold Key's licensed properties, with a painted cover by George Wilson, whose work defined the visual identity of the publisher's adventure and Western lines throughout the 1960s. Gaylord DuBois, the primary writer of Gold Key's Burroughs adaptations for decades, scripts the story, maintaining continuity with the licensed Tarzan universe rather than introducing new characters or concepts.

Market data shows a small certified population with only a handful of graded copies at the top of the census, and no records at all above 9.8, reflecting a book that was not heavily preserved at the time of release and has drawn only modest collector attention since. Demand is driven primarily by Burroughs completists, Gold Key adventure-title collectors, and admirers of Giolitti's linework rather than by any first-appearance or landmark-storyline significance, since Korak had already been established for years by this issue. Prices step up sharply only at the very highest certified grades, a common pattern for lower-print, non-superhero licensed comics of the period where high-grade survivors are scarce relative to nominal print runs.

This is a collectible for genre specialists and series runs rather than a headline investment piece. Lower and mid-grade raw copies trade cheaply and steadily as reading or run-filler copies, while the handful of high-grade certified examples command outsized premiums driven by scarcity rather than narrative importance. Collectors assembling complete Korak or Gold Key Burroughs runs, along with Giolitti art collectors, represent the steadiest buyer base across all grade tiers.