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Korak, Son of Tarzan #24 front cover

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~9.0 AI-Estimated
Approximate
Condition Profile
KORAK, SON OF TARZAN #24
WESTERN PUBLISHING · 12/68
UNIT ECA-033057

KORAK, SON OF TARZAN #24

Silver Age Gold Key jungle adventure featuring Korak, Son of Tarzan, with a George Wilson painted cover

SIG 2/10 Available

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// Unit specification

PublisherCover dateEraVariantKey attributeStatus
Western Publishing December 1968 Silver — — AVAILABLE

// Copies in archive

UnitGradeVariantStatus
ECA-033057 ~9.0 — AVAILABLE
ECA-032739 ~8.0 — AVAILABLE

// Run position

// Condition analysis

⚠ AI-Estimated / Approximate Condition Profile

Cover shows strong gloss and vibrant color retention with sharp, unblunted corners and clean edges; no visible creases, tears, or color breaks along the spine area. A trace of light rubbing is visible near the lower right corner, and the book is housed in a protective sleeve which limits full assessment of surface sheen. Interior pages and back cover were not visible in this photo and were not assessed.

// Valuation — market reference

⚠ AI-Estimated values — approximate, not an appraisal
BracketGradeEst. market valueMarker
LOW_RAW 0.5 – 1.5 $4
MID_RAW 4.0 – 6.0 $10
HIGH_CERT 9.8 SLAB $240

// Archive commentary

Korak, Son of Tarzan #24 is a late-1960s entry in Western Publishing's Gold Key adaptation of Edgar Rice Burroughs' jungle mythos, continuing the adventures of Tarzan's son. The issue carries the era's typical creative team: Gaylord DuBois, the primary scripter across Western's Burroughs line for decades, paired with interior art by Dan Spiegle, known for his clean, cinematic storytelling on licensed adventure titles, and a painted cover by George Wilson, whose work defined the visual identity of Gold Key's adventure and Western lines throughout the 1960s.

Market activity for this issue is thin, consistent with the broader collector base for Western Publishing's licensed jungle-adventure titles, which trades well below contemporaneous Marvel and DC output despite comparable print runs. Certified population remains extremely small, with only a handful of universal graded copies known and a single recorded sale at the top of the census. This scarcity of sales data, rather than genuine demand pressure, is the primary driver of the wide gap between raw-copy value and the certified high-grade result.

This is a book for completists of the Korak and Tarzan comic lineage or specialists in Gold Key adventure titles rather than mainstream Silver Age investors. Raw copies in worn condition circulate cheaply through back-issue bins and online marketplaces, mid-grade raw copies see modest premiums from series collectors, and the rare high-grade certified example commands a disproportionate price simply due to its scarcity on the census rather than broad collector competition.

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