Approximate
Condition Profile
MARVEL COMICS · 9/63
UNIT ECA-028572
FANTASTIC FOUR #18
First appearance of the Super-Skrull, Jack Kirby cover and art
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | September 1963 | Silver | — | First appearance of the Super-Skrull; Jack Kirby cover and interior art | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-028572 | ~4.5 | — | AVAILABLE |
// Run position
// Condition analysis
Silver Age Marvel key (1st Super-Skrull) showing significant handling wear consistent with grade: spine has multiple stress lines and a couple of small ticks, upper left corner shows a chip/crease into the indicia box area, and there is visible discoloration/toning along the left edge and spine. Cover gloss appears mostly lost with light surface wear across the image, but colors remain bright and the cover is fully intact with no tears or missing pieces visible. Interior pages and back cover were not assessed from this photo, so grade could shift once full condition is verified.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $48 | |
| MID_RAW | 4.0 – 6.0 | $267 | |
| HIGH_CERT | 9.8 SLAB | $24,000 |
// Archive commentary
Fantastic Four #18 (Marvel, September 1963) introduces the Super-Skrull, a single Skrull agent engineered by his empire's scientists to individually match the combined powers of the entire Fantastic Four. Written by Stan Lee and drawn by Jack Kirby, inked by Dick Ayers, the issue is a showcase for Kirby's early-1960s cosmic imagination, expanding on the Skrull race first seen in Fantastic Four #2 and giving Marvel one of its more durable alien antagonists, one who would resurface across FF, Avengers, and other titles for decades.
The book trades as a solidly demanded mid-tier Silver Age Marvel key, well below the tentpole issues of the run (FF #1, #4, #5, #48-50) but consistently active across all grades per the certified sales data. Pricing steps up sharply above 9.0, with 9.2 and 9.4 copies commanding multiples of the 9.0 figure, reflecting a steep grade-rarity curve typical of high-circulation 1963 newsstand comics that saw heavy handling. The census shows over 1,200 certified copies, indicating a well-tracked, frequently traded book rather than a scarce one, with demand concentrated at the top of the grade curve where true high-grade survivors are few.
This is a book for Silver Age Marvel completists, Fantastic Four run collectors, and Kirby specialists rather than a crossover blue-chip investment piece. Lower and mid grades move steadily as affordable entry points into the character's first appearance, while high-grade copies (9.2 and above) are the primary value drivers and see the most active bidding when they surface, given the extremely small population at 9.6 and 9.8. Absence of a priced 9.8 sale on record underscores how rarely the book appears at the very top of the grade scale.
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