Approximate
Condition Profile
MARVEL COMICS · 12/01 · NEWSSTAND
UNIT ECA-025324
CAPTAIN AMERICA #48
Dan Jurgens and Bob Layton close out the Zemo/Crossbones arc in Cap's ongoing rogues' gallery conflict
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | December 2001 | Modern | Newsstand | — | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-025324 | ~9.2 | Newsstand | AVAILABLE |
// Run position
// Condition analysis
Cover shows sharp corners and clean, unblunted edges with no visible creases or spine stress lines. Colors appear vivid with no fading or staining, and the black background shows minimal print/handling wear. The book is in a protective sleeve, which limits full assessment of surface gloss and edge condition; interior and back cover were not examined.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $2 | |
| MID_RAW | 4.0 – 6.0 | $4 | |
| HIGH_CERT | 9.8 SLAB | $55 |
// Archive commentary
Captain America #48 (Volume 3, cover-dated December 2001) is a mid-run chapter from the Dan Jurgens/Bob Layton creative stretch on the title, wrapping a storyline pitting Cap against Baron Zemo and Crossbones. Jurgens handles writing and pencils with Bob Layton inking and co-credited on the cover, a pairing familiar to readers from their prior collaborations at Marvel and DC. The issue folds in a supporting cast that includes Iron Man, Carol Danvers, Jack of Hearts, 3-D Man, and Dum Dum Dugan, situating it within the broader Avengers-adjacent orbit of the Captain America title at the turn of the millennium rather than marking any origin, first appearance, or other landmark event.
As a newsstand issue from a lengthy volume of an ongoing flagship title, #48 sits squarely in the category of common, plentiful back issues. It was never the subject of speculative buying at release and has not developed aftermarket demand tied to a specific creative milestone, variant scarcity, or first appearance. Copies remain widely available through back-issue bins, online marketplaces, and dealer stock, and the book's absence of a distinct fair-market listing in standard pricing guides reflects that ordinary status rather than any oversight.
This is a reader's copy for Captain America completists and fans of the Jurgens/Layton run rather than a book pursued by investors or key-issue collectors. Raw copies in any condition typically move for token sums, while a high-grade certified slab can command a modest premium mainly on the strength of scarcity in top grades rather than content. Collectors assembling a full run of Volume 3 or specifically chasing this creative team's output are the primary audience; general market interest beyond that is limited.
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