Approximate
Condition Profile
MARVEL COMICS · 4/80 · NEWSSTAND
UNIT ECA-018930
AVENGERS #194
George Pérez draws the Avengers as the Carol Danvers pregnancy storyline builds toward Avengers #200
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | April 1980 | Bronze | Newsstand | — | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-018930 | ~9.0 | Newsstand | AVAILABLE |
| ECA-022387 | ~8.5 | Newsstand | AVAILABLE |
// Run position
// Condition analysis
Cover shows strong gloss and sharp corners with no visible creases or color breaks. Spine appears tight with no stress lines visible in this photo. There is minor edge wear at the bottom right corner and slight surface handling wear typical of a well-kept newsstand copy. Interior and back cover were not assessed, so grade is based solely on the visible front cover.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $3 | |
| MID_RAW | 4.0 – 6.0 | $7 | |
| HIGH_CERT | 9.8 SLAB | $60 |
// Archive commentary
Avengers #194 arrives during David Michelinie's run on the title, with George Pérez providing pencils and a Joe Rubinstein-inked cover as the Avengers cope with the aftermath of Carol Danvers's mysterious pregnancy, a plot thread steadily escalating toward its controversial payoff in Avengers #200. The issue features a strong lineup including Captain America, Iron Man, the Beast, the Falcon (Sam Wilson), Jarvis, and Jocasta, and reflects the era's ensemble-driven, soap-opera plotting under Michelinie and Pérez that would define the team's late Bronze Age identity.
Market data shows a large certified population (149 graded copies, 135 in the Universal census) with sales concentrated at the high end of the grading spectrum; most transactions cluster at CGC 9.0 and above, while lower grades see minimal sales activity and no meaningful FMV data below CGC 8.0. This pattern is typical of a well-preserved, widely-collected but non-key Bronze Age issue: raw copies in low and mid grades see limited independent demand, while high-grade certified copies benefit from Pérez's growing collector following and the broader appeal of the Carol Danvers storyline arc.
This book trades primarily as a Pérez-art acquisition and a supporting piece in a run assembled around Avengers #200 or the Carol Danvers/Ms. Marvel narrative, rather than as a standalone key. Entry-level and mid-grade raw copies remain inexpensive and are typically bought by run-builders and Pérez completists, while CGC 9.8 examples command a real premium reflecting the difficulty of finding pristine newsstand copies from this period; the gap between the 9.8 FMV and the 1-year average suggests recent softening at the very top of the market worth monitoring for future acquisitions.
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