Approximate
Condition Profile
MARVEL COMICS · 4/80 · NEWSSTAND
UNIT ECA-022387
AVENGERS #194
George Pérez draws the Avengers as the Carol Danvers pregnancy storyline builds toward Avengers #200
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | April 1980 | Bronze | Newsstand | — | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-018930 | ~9.0 | Newsstand | AVAILABLE |
| ECA-022387 | ~8.5 | Newsstand | AVAILABLE |
// Run position
// Condition analysis
Cover shows strong gloss and sharp corners with no visible creases or color breaks. Slight edge wear is visible at the bottom right corner and a faint bend near the lower spine area. The barcode box is intact with no major surface stains, though minor handling wear along the spine ticks keeps this from a higher grade. Interior and back cover were not assessed.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $3 | |
| MID_RAW | 4.0 – 6.0 | $7 | |
| HIGH_CERT | 9.8 SLAB | $60 |
// Archive commentary
Avengers #194 arrives during David Michelinie's run on the title, with George Pérez providing pencils and a Joe Rubinstein-inked cover as the Avengers cope with the aftermath of Carol Danvers's mysterious pregnancy, a plot thread steadily escalating toward its controversial payoff in Avengers #200. The issue features a strong lineup including Captain America, Iron Man, the Beast, the Falcon (Sam Wilson), Jarvis, and Jocasta, and reflects the era's ensemble-driven, soap-opera plotting under Michelinie and Pérez that would define the team's late Bronze Age identity.
Market data shows a large certified population (149 graded copies, 135 in the Universal census) with sales concentrated at the high end of the grading spectrum; most transactions cluster at CGC 9.0 and above, while lower grades see minimal sales activity and no meaningful FMV data below CGC 8.0. This pattern is typical of a well-preserved, widely-collected but non-key Bronze Age issue: raw copies in low and mid grades see limited independent demand, while high-grade certified copies benefit from Pérez's growing collector following and the broader appeal of the Carol Danvers storyline arc.
This book trades primarily as a Pérez-art acquisition and a supporting piece in a run assembled around Avengers #200 or the Carol Danvers/Ms. Marvel narrative, rather than as a standalone key. Entry-level and mid-grade raw copies remain inexpensive and are typically bought by run-builders and Pérez completists, while CGC 9.8 examples command a real premium reflecting the difficulty of finding pristine newsstand copies from this period; the gap between the 9.8 FMV and the 1-year average suggests recent softening at the very top of the market worth monitoring for future acquisitions.
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