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Action Comics #562 front cover
~9.2 AI-Estimated
Approximate
Condition Profile
ACTION COMICS #562
DC COMICS · 12/84 · NEWSSTAND
UNIT ECA-001515

ACTION COMICS #562

Copper Age Superman issue with Eduardo Barreto cover, featuring Queen Bee and the full Daily Planet supporting cast

SIG 2/10 Available

// Unit specification

PublisherCover dateEraVariantKey attributeStatus
DC Comics December 1984 Copper Newsstand AVAILABLE

// Copies in archive

UnitGradeVariantStatus
ECA-001515 ~9.2 Newsstand AVAILABLE

// Run position

// Condition analysis

⚠ AI-Estimated / Approximate Condition Profile

Cover shows strong gloss and vibrant color with sharp corners and no visible creases or spine stress lines. Minor handling wear may be present but not evident at this resolution; the book is in a protective sleeve which limits close inspection of edges. Interior pages and back cover were not assessed. No fading, staining, or tears are visible on the front cover.

// Valuation — market reference

⚠ AI-Estimated values — approximate, not an appraisal · no market comps found — era-based estimate
BracketGradeEst. market valueMarker
LOW_RAW 0.5 – 1.5 $1
MID_RAW 4.0 – 6.0 $3
HIGH_CERT 9.8 SLAB $70

// Archive commentary

Action Comics #562, cover-dated December 1984, comes from the final stretch of Julius Schwartz's long editorial run on the title, with E. Nelson Bridwell alongside him. Bob Rozakis scripts a Superman story pitting the Man of Steel against Queen Bee, with pencils shared between Eduardo Barreto and Kurt Schaffenberger, inks by Dave Hunt, color by Gene D'Angelo and lettering by Ben Oda. Barreto also supplies the cover. The supporting cast is the classic pre-Crisis Daily Planet ensemble – Lois Lane, Jimmy Olsen, Perry White, Lana Lang – and the issue carries no first appearance, origin or death; it is a self-contained late pre-Crisis Superman adventure produced roughly two years before John Byrne's 1986 relaunch reset the character.

Market behavior follows the pattern for mid-1980s Superman-family issues in a very long-running series: print runs were still large, survival rates high, and there is no story hook driving speculative demand. Raw copies move as part of runs and dollar-box lots rather than as individual purchases, and the price spread between a well-read copy and a sharp unread one is narrow enough that shipping cost dominates the transaction. The only bracket where meaningful money exists is high certified grade, and that value derives from census scarcity and grading expense rather than from the content – few collectors submit books of this vintage, so registry and set builders chasing a complete high-grade Action Comics run are the effective bid. Newsstand distribution was standard for DC at this point in the decade, so the designation carries no premium here the way it does for late-1990s and 2000s books.

The realistic buyer pool is run collectors filling gaps between #500 and the pre-Crisis close at #583, Schaffenberger and Barreto completists, and Bronze-into-Copper Superman readers who want the Schwartz era intact. Across low and mid grades the book trades as inexpensive inventory and is best sold in bulk or as part of a run offering; the economics of individual certification do not work below the top of the scale. At 9.8 the book becomes a scarcity play rather than a content play, and liquidity is correspondingly slow – patient sellers do better than motivated ones, and any single certified result should be treated as a data point rather than a benchmark.

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