Approximate
Condition Profile
MARVEL COMICS · 8/80 · NEWSSTAND
UNIT ECA-011592
PETER PARKER, THE SPECTACULAR SPIDER-MAN #45
Vulture clashes with Spider-Man in a Roger Stern-scripted, Marie Severin-drawn Bronze Age issue
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | August 1980 | Bronze | Newsstand | — | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-011592 | ~8.5 | Newsstand | AVAILABLE |
// Run position
// Condition analysis
Cover shows strong gloss and vibrant colors with sharp corners and minimal spine stress; a few faint handling lines are visible near the spine but no major creases or color breaks. Edges appear clean with no chips or tears, and the book is currently in a protective sleeve which may be masking minor wear. Interior pages and back cover were not visible for assessment, so grade is based solely on the front cover's condition.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $3 | |
| MID_RAW | 4.0 – 6.0 | $8 | |
| HIGH_CERT | 9.8 SLAB | $110 |
// Archive commentary
Peter Parker, The Spectacular Spider-Man #45 is a routine but well-crafted Bronze Age entry in Spider-Man's second ongoing title, teaming writer Roger Stern with penciler Marie Severin and inker Steve Mitchell for a Vulture confrontation. Stern's run on the Spider-Man titles in this era is well regarded among fans of the character's plotting and supporting cast work, and Severin's clean, expressive linework gives the issue a distinct visual identity distinct from contemporaneous Spider-Man art by John Romita Jr. or others. The issue introduces no new characters of lasting significance and does not figure into any major continuity milestone, positioning it as a solid but unremarkable read within a well-loved creative stretch.
Market data reflects this status: sales activity is thin and concentrated almost entirely in high grades, with a 48-copy census skewing toward mid-to-high CGC grades and virtually no recorded sales below CGC 7.0. Pricing rises steadily but modestly from grade to grade, topping out at $70 for CGC 9.6 with no certified 9.8 sale on record despite sixteen copies holding that grade — a pattern typical of common-run Bronze Age newsstand issues where high-grade survival is more a function of print quality and storage than scarcity-driven demand. There is no meaningful key-issue premium anywhere in the data; value here is purely a function of grade and general Spider-Man title collectibility.
This book will appeal chiefly to Spectacular Spider-Man run collectors, Roger Stern or Marie Severin completists, and dealers filling out Bronze Age Spider-Man boxes rather than to speculators or key-issue investors. Lower and mid-grade raw copies trade as inexpensive bulk-bin material with minimal spread between conditions, while the CGC 9.8 tier commands a real but restrained premium reflecting genuine scarcity at the top of the census rather than any narrative significance. Collectors should expect flat, unhurried appreciation typical of solid but non-key back issues.
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