Approximate
Condition Profile
MARVEL COMICS · 9/80 · NEWSSTAND
UNIT ECA-011601
PETER PARKER, THE SPECTACULAR SPIDER-MAN #46
Roger Stern and Mike Zeck team Spider-Man with Daredevil against Mr. Hyde and Mesmero
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | September 1980 | Bronze | Newsstand | — | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-011601 | ~8.0 | Newsstand | AVAILABLE |
// Run position
// Condition analysis
Cover shows strong gloss and bright color retention with sharp corners and clean edges overall. There is a small dent/bump visible along the top edge and minor spine stress with slight whitening at the top of the spine; a faint diagonal crease is visible near the top right corner. No major tears, creases, or color breaks are evident, though the book is in a protective sleeve which limits full inspection. Interior and back cover were not assessed.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $2 | |
| MID_RAW | 4.0 – 6.0 | $5 | |
| HIGH_CERT | 9.8 SLAB | $55 |
// Archive commentary
Peter Parker, The Spectacular Spider-Man #46 is a Bronze Age team-up issue written by Roger Stern with art by Mike Zeck and inks by Bruce Patterson, pairing Spider-Man with Daredevil against the brute-force menace of Mr. Hyde and the hypnotic villain Mesmero. The issue reflects Marvel's early-1980s house style of rotating guest heroes through the Spider-Man titles to build cross-title continuity, with Zeck's pencils already showing the polish that would soon define his celebrated run on Captain America and the Secret Wars limited series. No first appearances, deaths, or origin material occur in this issue; its interest lies chiefly in the creative team and the villain pairing rather than any landmark event.
Market demand for this issue is modest and consistent with a mid-run, non-key Bronze Age Marvel title. Certified sales cluster almost entirely at the 9.6 and 9.8 grades, with a thin population of thirteen recorded 9.8 sales anchoring a stable high-grade value in the mid-fifty-dollar range; lower-grade certified copies are scarce enough on census that raw-market pricing must be inferred from typical Bronze Age newsstand trends rather than direct comps. The absence of any sales data below 8.0 suggests limited collector churn at those grades, with most buying activity concentrated among completists building out full runs or Zeck art collectors.
This book is best suited to Spider-Man and Daredevil team-up collectors, Mike Zeck completists, and dealers assembling full Peter Parker, The Spectacular Spider-Man runs. Across grades it trades in a fairly narrow band typical of common Bronze Age fare: inexpensive in low and mid grade, with a modest but real premium for pristine 9.8 slabs driven by relative scarcity at the top of the census rather than any inherent story significance. It functions well as an affordable run-filler or a value-priced addition to guest-star or artist-focused collections rather than as a standalone investment piece.
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