PETER PARKER, THE SPECTACULAR SPIDER-MAN #31

Cover shows strong gloss and vibrant color with sharp corners and clean edges; a UPC barcode box confirms newsstand edition. Minor handling wear is visible along the spine with faint stress lines, and there is slight surface rub at the top edge. No major creases, tears, or color breaks are apparent in this image. Interior pages and back cover were not assessed.

Peter Parker, The Spectacular Spider-Man #31 arrived in mid-1979 as part of the extended Jackal/Carrion storyline that Bill Mantlo and penciler Jim Mooney were threading through the title in the wake of the original Clone Saga in Amazing Spider-Man. The issue features the Spider-Man clone later named Ben Reilly, along with Carrion, the Jackal, and a supporting cast pulled from Peter Parker's core circle including Aunt May, Mary Jane, and Gwen Stacy (as a memory/clone figure tied to the ongoing plot). Frank Springer inks over Mooney's pencils, with Al Milgrom editing, giving the issue a workmanlike but representative Bronze Age Spider-Man visual identity. It is not a first appearance or origin issue; its interest lies almost entirely in its place within the broader clone mythology that would resurface decades later.

Market data shows a small certified population (22 copies at 9.8, dropping off steeply at lower grades) with genuine but modest sales activity concentrated at the top of the grade curve. The 9.8 FMV sits at $120, with the one-year average trending lower at $76, suggesting a population that has grown gradually without a corresponding surge in demand. Sales below 9.4 are sparse and inconsistent, typical of a mid-run title issue that collectors chase mainly for completism rather than key-issue speculation. There is no meaningful raw-market chatter to suggest outsized demand outside the high-grade certified tier.

This book trades as a run-filler for Spider-Man and Bronze Age Marvel collectors building out Peter Parker, The Spectacular Spider-Man in sequence, plus a smaller pool of clone-saga completists drawn by the Jackal, Carrion, and Ben Reilly connections. Raw copies in low and mid grades move cheaply and steadily as part of longbox and set purchases, while nicer copies see only occasional turnover. High-grade 9.8 slabs represent the only segment with active, trackable demand, and even there the trajectory has been flat to softening rather than appreciating, consistent with a book valued for series completeness rather than standalone significance.