PETER PARKER, THE SPECTACULAR SPIDER-MAN #36

Cover shows strong gloss and vibrant color with sharp corners and a tight, well-preserved spine with no visible ticks or stress lines. Edges appear clean with minimal wear, and there is no evident staining, creasing, or color breaking. The book is in a protective sleeve, which limits full assessment of edge and corner sharpness, and the interior and back cover were not evaluated.

Peter Parker, The Spectacular Spider-Man #36 is a late-1970s entry in Marvel's second ongoing Spider-Man title, written by Bill Mantlo with art by Jim Mooney and inks by Mike Esposito. The issue pits Spider-Man against the Lizard and the lesser-known villain Iguana, while drawing in Champions-affiliated guest stars including Black Widow, Hercules, Iceman, Hank Pym, and Darkstar, reflecting the era's frequent crossover appearances among Marvel's team books. The book carries no first appearances, deaths, or landmark creative milestones, and its cover art, while competent Bronze Age superhero fare, has not been singled out by price guides or collector consensus as a classic image.

Market data reflects a common, well-preserved title: census figures show 52 Universal copies graded out of 53 total, with the bulk clustering at high grades (9.4 and above), indicating this issue survived in strong condition and was not heavily read or circulated under duress. Sales at 9.8 have settled around $70 to $80 recently, while mid- and lower-grade copies see minimal transaction volume and correspondingly modest prices, typical of a back-issue-bin Spider-Man title from a secondary ongoing series rather than the flagship Amazing Spider-Man.

This issue appeals primarily to Spider-Man Bronze Age completists and readers assembling a run of Peter Parker, The Spectacular Spider-Man rather than key-issue investors. Raw copies in low and mid grades trade for a few dollars and are readily available, while the primary value driver is condition census position — high-grade 9.8 slabs command a real but modest premium due to relative scarcity at the top of the grading curve. Expect steady, low-volume trading with pricing driven by grade rather than any inherent collector demand for the issue's content.