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Daredevil #5 front cover
~9.4 AI-Estimated
Approximate
Condition Profile
DAREDEVIL #5
MARVEL COMICS · 12/64
UNIT ECA-004733

DAREDEVIL #5

First appearance of the Matador; Wally Wood's debut as Daredevil's regular artist

Key Issue SIG 4/10 Available

// Unit specification

PublisherCover dateEraVariantKey attributeStatus
Marvel Comics December 1964 Silver First appearance of the Matador; first issue featuring Wally Wood as artist on Daredevil, a significant early art transition for the title AVAILABLE

// Copies in archive

UnitGradeVariantStatus
ECA-004733 ~9.4 AVAILABLE

// Run position

// Condition analysis

⚠ AI-Estimated / Approximate Condition Profile

Cover shows strong gloss with sharp, unblunted corners and no visible spine ticks or stress lines; the black background is uniform with no fading or scuffing evident. Slight glare from the protective sleeve obscures fine surface detail, and the interior/back cover were not assessed. No creases, tears, or color breaks are visible in this photo.

// Valuation — market reference

⚠ AI-Estimated values — approximate, not an appraisal
BracketGradeEst. market valueMarker
LOW_RAW 0.5 – 1.5 $8
MID_RAW 4.0 – 6.0 $20
HIGH_CERT 9.8 SLAB $130

// Archive commentary

Daredevil #5 marks a quiet but real turning point for the young Marvel title: Wally Wood took over as the book's artist here, inking and co-penciling over Jack Kirby's layouts, and would go on to define the character's visual language for the next several issues, including the memorable yellow-and-red costume redesign that followed shortly after. The issue also introduces the Matador, a minor but recurring rogue in Daredevil's early gallery, alongside continuing appearances by Foggy Nelson and Karen Page as Stan Lee's supporting cast dynamics were still being established. As an early Silver Age Marvel issue from a formative period in the character's history, it holds interest for both art-history-minded collectors and completists of the title's first two years.

The market data reflects a book that trades as a solid but unspectacular mid-run Silver Age Marvel rather than a blue-chip key. Census population is substantial relative to sales activity, and FMV growth from grade to grade is modest until the top of the curve, where 9.8 copies command a real premium over 9.6 and below — typical of a book whose demand is driven by census-chasing and Wood/Kirby art appreciation rather than a headline first appearance. Recent 90-day and 30-day average pricing at the 9.8 level sits meaningfully below the trailing 1-year average, suggesting the earlier price spike has cooled into a steadier trading range.

This is a book most likely to attract Silver Age Marvel run-builders, Wally Wood art collectors, and Daredevil specialists rather than generalist key-issue investors. Lower and mid-grade raw copies move as inexpensive vintage reading copies with little competitive bidding, while pristine 9.8 slabs see periodic spikes tied to census announcements or renewed attention to Wood's Marvel work. Long-term appreciation is likely to track the broader early Daredevil market rather than outperform it.

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