DAREDEVIL #7
Wally Wood's debut as Daredevil's artist, introducing Krang as Sub-Mariner's Atlantean rival
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | April 1965 | Silver | — | First appearance of Krang; first issue with Wally Wood as penciler/inker/cover artist on Daredevil | AVAILABLE |
// Run position
// Condition analysis
This photo shows an interior story page (page 3) rather than the front cover, so the cover's actual condition cannot be assessed from this image. The page shown exhibits typical age toning/browning of the paper, a small tear near the left staple area, and minor edge wear, consistent with a comic from the mid-1960s. Per grading policy, a book with no visible cover image is graded 0.3 regardless of interior page condition; front cover, back cover, and full interior were not assessed.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $87 | |
| MID_RAW | 4.0 – 6.0 | $273 | |
| HIGH_CERT | 9.8 SLAB | $20,000 |
// Archive commentary
Daredevil #7 marks a significant creative transition for the young Marvel title, bringing Wally Wood aboard as penciler, inker, and cover artist in place of the book's earlier art teams. Stan Lee's script pits the Man Without Fear against Namor the Sub-Mariner in a plot orchestrated by Krang, introduced here as a scheming rival for control of Atlantis, alongside continuing appearances by Foggy Nelson, Karen Page, and Namor's love interest Dorma. Wood's clean, dynamic linework brought a new visual polish to the series and is frequently cited by Silver Age collectors as a highlight of the title's early run.
Market data shows a steep, non-linear value curve typical of well-collected Silver Age Marvel: prices hold fairly flat through the mid-grade range before climbing sharply above VF, with each half-grade increment near the top of the census commanding a substantial premium. Demand is driven by the confluence of Wood's artwork, the Krang first appearance, and the book's place within a heavily tracked ongoing series with deep census participation across thousands of graded copies. High-grade copies are scarce relative to the overall population, and the complete absence of any 9.8 or higher certified example underscores how difficult this issue is to find in top preservation.
The book trades actively across all grade tiers, appealing to Daredevil completists, Wally Wood art collectors, and Silver Age Marvel specialists building out early runs. Lower and mid-grade raw copies remain accessible entry points reflecting steady but unspectacular demand, while high-end certified examples — especially anything approaching the top of the census — draw outsized bidding given their rarity and the near-total absence of pristine copies on record.
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-006137 | ~0.3 | — | AVAILABLE |
INQUIRE_ABOUT_THIS_UNIT
Institutional buyers, auction houses, and private collectors — direct line to the archive.
