WHERE MONSTERS DWELL #2

Cover shows good gloss and bright color with no major color breaks visible. There is a light diagonal crease/stress line near the upper right corner and a small nick along the top edge; corners show mild blunting rather than sharp points. The book is in a protective sleeve which obscures fine surface detail and spine stress could not be fully evaluated. Interior and back cover were not assessed.

Where Monsters Dwell was Marvel's late-1960s/early-1970s reprint vehicle for its pre-Marvel Age monster anthology material, repackaging stories originally drawn by artists such as Jack Kirby, Steve Ditko, and Don Heck for a new black-and-white magazine-adjacent audience during a period when Marvel was mining its Atlas-era monster library for content. Issue #2, cover-dated March 1970, continues that format with a newly commissioned cover over reprinted interior stories; it carries no first appearances of ongoing characters and no origin or death moments, situating it as a title of incidental rather than landmark historical importance within Marvel's Bronze Age output.

Market activity is thin and grade-driven rather than demand-driven: the CGC census of 69 universal copies shows FMV rising steeply only in the higher grades, from roughly $46 at 8.5 up through $160 at 9.6, with a single recorded 9.8 sale at $750 that stands alone at the top of the census with no higher grade yet certified. This shape is typical of a low-key back-issue title where raw and low-grade copies trade for a few dollars as reading copies while collectors chase the handful of top-census slabs almost entirely for condition rarity rather than content significance.

This is a book for condition-census completists and Bronze Age monster-anthology specialists rather than mainstream key-issue buyers; raw copies move cheaply and in low volume, mid-grade copies see occasional interest from readers assembling a run of the title, and the premium is concentrated almost entirely in the 9.6-9.8 tier, where scarcity of pristine surviving copies — not story content — drives the price.