VAULT OF EVIL #10

Cover shows good color and gloss with sharp corners overall, but there is visible wear at the top edge with a small crease/bump near the top right, slight rubbing along the spine, and minor edge wear along the right side. A small tear or nick is visible on the right edge midway down the cover. The book is protected in a plastic sleeve; interior and back cover were not assessed.

Vault of Evil #10 belongs to Marvel's mid-1970s wave of horror reprint anthologies, assembled to capitalize on the era's renewed appetite for suspense and shock stories following the relaxation of Comics Code restrictions on horror content. Like its sister titles (Chamber of Chills, Tomb of Darkness, Where Monsters Dwell), the book recycled black-and-white and pre-Code-adjacent horror shorts from Atlas/Marvel's 1950s output, repackaged with new cover art for a Bronze Age audience. The issue carries no first appearances, no notable creator debuts, and no continuing characters, situating it as a functional entry in a long-running but lightly collected line.

Market data reflects a thin, low-volume certified population: only 29 CGC Universal copies exist across the entire grade spectrum, with sales concentrated in the near-mint range and essentially no recorded activity in lower grades. Demand is driven almost entirely by anthology-format and Bronze Age horror completists building full genre runs, rather than by any specific character or creator association. The pronounced jump in value between 9.4 and 9.8 is typical of low-population Bronze Age books, where survivorship at the top of the grade scale is scarce and a handful of transactions can swing the curve sharply.

This title trades as a value-tier horror anthology rather than a speculative or key-driven book: raw copies in low and mid grades carry modest, largely incidental value, while high-grade certified examples command a real premium purely on scarcity rather than content. Buyers are typically genre-run collectors and Bronze Age horror specialists rather than investors chasing appreciation, and the book is best positioned in inventory as an affordable completion piece for anthology collections, with upside concentrated narrowly in pristine certified copies.