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Thor #41 front cover
~9.2 AI-Estimated
Approximate
Condition Profile
THOR #41
MARVEL COMICS · 8/01 · DIRECT EDITION
UNIT ECA-006437

THOR #41

Odin's funeral and Thor's ascension as Lord of Asgard, with a painted Glen Orbik cover

SIG 3/10 Available

// Unit specification

PublisherCover dateEraVariantKey attributeStatus
Marvel Comics August 2001 Modern Direct Edition AVAILABLE

// Run position

Part of an unbroken run · #40–#42 · 3 issues View all 16 available issues of THOR →

// Condition analysis

⚠ AI-Estimated / Approximate Condition Profile

Cover shows sharp corners, strong glossy surface, and no visible spine ticks or creasing in this photo. Slight edge wear is not apparent, and the image is clear with vivid color and no fading. The book is in a protective sleeve, which limits ability to check for subtle print defects; interior and back cover were not assessed, so grade is capped conservatively despite the clean front appearance.

// Valuation — market reference

⚠ AI-Estimated values — approximate, not an appraisal
BracketGradeEst. market valueMarker
LOW_RAW 0.5 – 1.5 $2
MID_RAW 4.0 – 6.0 $3
HIGH_CERT 9.8 SLAB $55

// Archive commentary

Thor #41, from the 1998 volume written by Dan Jurgens with pencils by Stuart Immonen and inks by Scott Koblish, carries the immediate aftermath of the Allfather's death. The issue stages Odin's memorial service and settles the question of succession, placing Thor on the throne of Asgard and opening the Lord of Asgard direction that would define the remainder of Jurgens's run. Glen Orbik supplies a painted cover, unusual for the title in this period and a point of interest for collectors who follow his commercial and pulp-revival illustration work. Supporting Asgardian cast members appear in force at the service, and the issue functions as the pivot between the Odin arc and Thor's rule.

Market profile is that of a common turn-of-the-millennium Marvel monthly: print runs were ample, survival in high grade is routine, and copies circulate primarily through dealer back-issue inventory and bulk lots rather than through auction. Demand is story-driven rather than speculative, coming from readers assembling the complete 1998 series or the Lord of Asgard sequence, and the painted cover adds incremental appeal without moving the book into key territory. Certified copies are scarce on the census only because virtually no one has submitted the issue, which means slab values reflect the cost of grading more than any underlying scarcity premium.

Buyers are run collectors, Jurgens and Immonen completists, and Asgardian-mythology readers filling gaps between the Odin storyline and what follows. Across grades the spread is compressed: low and mid-grade raw copies trade interchangeably at back-issue box levels, while near-mint raw copies command only a slight step up, since most surviving examples were bagged from the newsstand era's successor direct market. The one meaningful break in the curve is certification, where the thin population makes a high-grade slab a specialty purchase rather than a liquid asset; anyone acquiring at that level should expect a narrow buyer pool and treat the book as a set component rather than a trading position.

// Copies in archive

UnitGradeVariantStatus
ECA-006437 ~9.2 Direct Edition AVAILABLE

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