Approximate
Condition Profile
MARVEL COMICS · 9/91 · DIRECT EDITION
UNIT ECA-008843
THE SENSATIONAL SHE-HULK #31
John Byrne's return to writing and drawing Sensational She-Hulk, direct market edition
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | September 1991 | Copper | Direct Edition | — | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-008843 | ~9.2 | Direct Edition | AVAILABLE |
// Run position
// Condition analysis
Cover shows strong gloss and vibrant color with sharp, well-defined corners and no visible creases or spine stress lines. A faint vertical press line is visible near the upper right of the title logo but does not break color. No stains, tears, or writing are visible on the front cover. Interior pages and back cover were not assessed, so grade is capped conservatively at 9.2 despite the strong presentation.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $3 | |
| MID_RAW | 4.0 – 6.0 | $7 | |
| HIGH_CERT | 9.8 SLAB | $175 |
// Archive commentary
The Sensational She-Hulk #31 marks writer-artist John Byrne's return to the title he had originated years earlier, resuming a run notable for its self-aware, fourth-wall-breaking humor and its meta commentary on the comics industry itself. Byrne had left the series after its early issues, and his second stint beginning here restored the irreverent tone and visual polish that distinguished his original contribution to the character. The issue continues the series' reputation as one of Marvel's more unconventional Copper Age superhero books, blending traditional action with satirical asides directed at readers and even at Marvel's own editorial practices.
Market data for this issue is thin, reflecting its status as a mid-run installment in a long series rather than a spotlighted key. Certified population figures show a modest but not insignificant number of high-grade copies on census, with pricing information available at only a single grade point. The scarcity of recorded sales across most grades, including at the top of the census, suggests limited transactional volume rather than deep scarcity of surviving copies, a pattern common to Copper Age direct-edition titles that were well distributed but never carried strong speculative demand at release.
This issue appeals primarily to Byrne completists and dedicated She-Hulk collectors assembling a full run of the series rather than to investors chasing landmark keys. Raw copies in low and mid grades remain inexpensive and readily available, consistent with a book that was never scarce at the newsstand or direct market level. Certified copies at the top of the grading scale command a real premium over raw material, driven less by rarity of the print run and more by the difficulty of finding surviving copies that qualify for the highest technical grades, making a 9.8 an outlier purchase for condition-focused collectors rather than a routine acquisition.
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