THE SENSATIONAL SHE-HULK #24

Cover shows strong gloss and vibrant color with sharp corners visible in the photo; no creases, tears, or spine stress lines are apparent. Slight edge wear cannot be ruled out due to the protective sleeve reflecting light in some areas. The Spider-Man head replacing the UPC barcode confirms this is a direct edition. Interior pages and back cover were not visible for assessment, so grade is based solely on front cover appearance.

Published with a February 1991 cover date, this issue pairs Simon Furman with Bryan Hitch on pencils and cover, inked by John Beatty, for a story that brings the original Death's Head — the freelance peacekeeping agent Furman and Geoff Senior created for Marvel UK — into a mainstream Marvel US title. Death's Head had made his American debut only months earlier in Marvel Comics Presents #76, so this stands among his earliest US appearances and one of the few before the character was retooled into the Death's Head II property that fueled Marvel UK's early-1990s expansion. Furman and Hitch were both regulars on the character in Britain, which makes the issue a natural bridge between the two markets. The supporting cast is drawn from the run's established comedic frame, with Louise "Weezi" Mason as the Blonde Phantom alongside villain turns from Whirlwind, Lightmaster, and Radioactive Man.

Market interest is driven by two collector constituencies rather than by any first appearance: buyers assembling Death's Head appearances, and readers tracking Bryan Hitch's pre-Authority, pre-Ultimates American work. Neither group is large enough to lift raw copies out of dollar-box territory, and the book was printed in the direct-market glut years, so supply in high grade remains ample and unstressed. Certification is uncommon, and the small census means slabbed results are sporadic and dependent on who is bidding on a given week. Attention to the character spikes when Death's Head resurfaces in animation, video games, or Marvel UK reprint programs, and those spikes fade quickly.

The practical buyer profile is the completist: someone filling a Death's Head checklist, a Hitch run, or the Sensational She-Hulk series. Raw copies trade freely and cheaply at every grade below Near Mint, and low-grade examples have essentially no premium over the same era's common stock, so paying up for anything less than a sharp copy is hard to justify. Certified examples are where the spread lives, since almost no one grades a 1991 She-Hulk issue without a reason, and the population is unlikely to grow quickly. Dealers should hold this as run inventory with an upgrade path rather than as a speculative position.