THE SAVAGE SHE-HULK #2

Cover shows strong gloss and bright color with sharp corners and no visible creases or spine stress from this angle; a small ink mark/spot is visible near the upper right corner of the logo area. The book is protected in a plastic sleeve, which slightly obscures fine surface detail and reflectivity. No tears, folds, or color breaks are apparent along the visible spine edge. Interior pages and back cover were not assessed.

The Savage She-Hulk #2 continues the solo launch of Jennifer Walters' alter ego, arriving on the heels of her debut the previous issue. Written by David Anthony Kraft with art by Mike Vosburg, the issue introduces Nicholas Trask, a supporting antagonist who would recur through the early run, and features a cover credited to John Buscema and Irving Watanabe. As a second-appearance issue for a character who would later become a fixture of the Marvel Universe through Avengers and Fantastic Four tie-ins, the book holds a modest but genuine footnote status in She-Hulk's publishing history.

Market data for this issue shows a thin, low-volume certified population with a pronounced value cliff above the 9.4-9.6 range: mid-grade certified copies trade in the low double digits while a small handful of 9.6s command noticeably more, reflecting how few high-grade newsstand copies survive rather than any broad-based collector demand. Demand is driven almost entirely by She-Hulk completionists and Bronze Age character-study collectors rather than by first-appearance speculation, since the true key issue for this character remains the preceding debut. Raw copies in low and mid grades see limited transactional activity and price largely as common longbox filler.

This is a book for character-run completionists and dealers restocking Bronze Age Marvel bins rather than a speculative grail. Sub-VF raw copies move in small dollar amounts and are readily available; the market only becomes meaningfully differentiated at the top of the certified population, where scarcity of pristine newsstand survivors — rather than narrative importance — sets the price. A CGC 9.8, should one surface, would likely draw outsized attention from registry-focused She-Hulk collectors given the total absence of that grade on census.