Approximate
Condition Profile
MARVEL COMICS · 11/93 · DIRECT EDITION
UNIT ECA-005923
AVENGERS: THE TERMINATRIX OBJECTIVE #3
Third chapter of the 1993 four-issue Kang and Terminatrix limited series, direct edition, written by Mark Gruenwald
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | November 1993 | Modern | Direct Edition | — | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-005923 | ~9.2 | Direct Edition | AVAILABLE |
| ECA-005932 | ~9.0 | Direct Edition | AVAILABLE |
// Condition analysis
Cover shows strong gloss and sharp corners with no visible creasing or color breaks; spine appears tight with no stress lines visible in this photo. Minor edge wear cannot be ruled out due to the protective sleeve and slight glare, and the book is bagged which limits full inspection. Interior pages and back cover were not assessed, so grade is based solely on the visible front cover.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $1 | |
| MID_RAW | 4.0 – 6.0 | $3 | |
| HIGH_CERT | 9.8 SLAB | $50 |
// Archive commentary
Published with a November 1993 cover date, the third installment of Avengers: The Terminatrix Objective continues Mark Gruenwald's four-part expansion of the Kang mythos, with pencils and cover art by Mike Gustovich, inks by Bud LaRosa and Don Hudson, and colors by Chris Matthys. "Day of Maximum Probability" pushes the assembled sextet — Captain America, Iron Man and Thor alongside their successors U.S. Agent, War Machine and Thunderstrike — out of Chronopolis and into Timely, Wisconsin while pursued by time-trooper robots and the Council of Cross-Time Kangs, and it carries the reveal tying Revelation to Ravonna Renslayer. The series as a whole matters chiefly as the story that built out Kang's time empire, Immortus, Alioth and Ravonna's Terminatrix identity, material later mined by Marvel's television work; the first issue holds the first appearances and the holographic cover, while this chapter is narrative middle ground.
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