TARZAN LORD OF THE JUNGLE #23

Cover shows a vertical crease running through the upper title area and central artwork, along with a smaller wrinkle near the top edge; corners appear reasonably sharp with only mild wear. Colors remain bright with no visible fading, staining, or spine ticks in this photo, and the book is in a protective sleeve which limits some detail assessment. Interior and back cover were not visible for assessment, so grade reflects front cover only.

Tarzan Lord of the Jungle #23 continues Marvel's late-1970s adaptation of Edgar Rice Burroughs's character, published under license during a period when Marvel held rights to several of the author's properties. The issue features art by John Buscema, a veteran Marvel penciler known for his work on Conan the Barbarian and other adventure titles, with inking by Alfredo Alcala, whose densely textured, painterly style became closely associated with the Tarzan license during this run. The series adapted and expanded upon Burroughs's jungle-adventure mythos for a comics readership, sitting within a broader wave of licensed properties Marvel published in the 1970s alongside Conan, John Carter, and other pulp-derived characters.

As a mid-run newsstand issue from a licensed adventure title, this book has never carried meaningful aftermarket demand. It falls outside the handful of issues collectors seek for cover or content reasons, and it has accumulated no distinguishing sales history; the absence of a published fair-market value reflects a title that trades near cover price in circulated grades. Demand is driven almost entirely by Buscema and Alcala completists and by Tarzan or Burroughs-property collectors assembling full runs, rather than by any speculative or investment-grade interest.

This is a book for readers and run-builders rather than investors. Raw copies in any condition are easy to find and inexpensive, and even well-preserved examples do not command significant premiums over similar-grade issues elsewhere in the series. A high-grade certified copy might draw modest interest from Buscema/Alcala art collectors or Burroughs licensing completists, but the title overall remains a stable, low-cost corner of Bronze Age Marvel collecting.