Approximate
Condition Profile
MARVEL COMICS · 12/67
UNIT ECA-008578
STRANGE TALES #163
Steranko's Nick Fury, Agent of SHIELD, alongside a Doctor Strange tale
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | December 1967 | Silver | — | — | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-008578 | ~6.0 | — | AVAILABLE |
// Run position
// Condition analysis
Cover shows moderate wear consistent with a mid-grade Silver Age book: visible vertical crease/wrinkle lines running through the center of the cover, some surface rubbing and gloss loss especially along the left edge, and slight corner softness at the top corners. There is a small spine stress area near the bottom right and minor edge wear along the top and right borders. The book is in a protective sleeve, which creates some glare, obscuring fine detail; interior and back cover were not assessed.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $15 | |
| MID_RAW | 4.0 – 6.0 | $38 | |
| HIGH_CERT | 9.8 SLAB | $1,200 |
// Archive commentary
Strange Tales #163 arrived at the height of the split-book era, pairing a Nick Fury, Agent of SHIELD story rendered by Jim Steranko with a Doctor Strange tale illustrating Marvel's late-1967 shift toward more sophisticated visual storytelling. Steranko's tenure on the Fury feature is widely cited by collectors for its cinematic layouts and design sensibility, and this issue is part of that celebrated run, even though it carries no first appearance or origin of lasting significance. The book's appeal rests on art and era rather than continuity milestones.
Market data shows a broad, well-populated census (218 Universal copies of 272 total graded) with steady sales activity across most grades, indicating consistent collector interest rather than speculative spikes. Values climb gradually through the mid grades before rising sharply above 9.4, reflecting the premium collectors place on pristine examples of Steranko's artwork; the scarcity of 9.6 and 9.8 copies against total print survival drives outsized demand at the top of the grade curve. This is a book that trades in a stable but unspectacular fashion in circulated grades, with the real value concentrated in high-grade certified copies.
The primary buyers for this issue are Silver Age Marvel completists and Steranko-run collectors assembling the Nick Fury sequence, alongside general Strange Tales readers filling out the title. Raw and lower-grade copies move steadily as reading or run-filler copies at modest prices, while high-grade CGC examples command a disproportionate premium reflecting genuine scarcity at the census summit. Given the thin population of true gem-mint copies, a 9.8 example would likely draw active bidding among specialists rather than generalist buyers.
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