SPIDER-MAN #26

Cover shown in protective sleeve appears glossy with strong color on the green web background and sharp corners; no visible creases, spine stress, or chipping in this image. There is a small ink smudge/mark near the bottom right edge of the holographic foil panel that should be checked in hand. The book is bagged, which limits full assessment of edges and spine ticks, and the interior/back cover were not assessed.

Spider-Man #26 (September 1992) arrived well into the flagship spin-off series that Todd McFarlane launched in 1990 and Erik Larsen carried through much of its second year. By issue #26, art chores had passed to Alex Saviuk, with David Michelinie continuing as writer, giving the book a more traditional Marvel house style than the McFarlane and Larsen issues that preceded it. It contains no first appearance, origin, or landmark creative statement, and its cover is not among the images regularly cited in price-guide retrospectives of the series.

The issue's market profile matches its status as a mass-printed early-1990s Direct Market title: census figures show more than 1,600 Universal-graded copies out of over 2,000 total, reflecting the heavy speculative production runs of the era rather than any post-hoc collector demand. Certified sales cluster overwhelmingly at 9.4 and above, where hundreds of near-perfect copies compete, while sub-8.0 copies are scarce on the census simply because so few were ever pressed hard enough by dealers or readers to grade that low. Pricing across the grade curve is compressed and modest, with even a 9.8 Universal slab commanding well under the level associated with genuine key issues from the same run.

This is a book bought for series completion, McFarlane/Larsen-run context, or affordable Modern Age Spider-Man material rather than speculative upside. Low- and mid-grade raw copies move as inexpensive back-issue-bin filler with negligible price sensitivity to condition, while the market's attention concentrates almost entirely on top-census 9.8 slabs, where supply is deep but steady collector interest in assembling complete graded runs of the title keeps demand and pricing stable rather than volatile.