Approximate
Condition Profile
MARVEL COMICS · 11/94 · DIRECT EDITION
UNIT ECA-008552
NAMOR, THE SUB-MARINER #56
Part three of "The Son of Namor," written by Glenn Herdling with cover and interior art by Geof Isherwood, from the final year of the 1990 Namor series
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | November 1994 | Modern | Direct Edition | — | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-008552 | ~9.2 | Direct Edition | AVAILABLE |
// Run position
// Condition analysis
Cover shows strong gloss and sharp corners with no visible creases or spine stress lines. Slight edge wear may be present at the extreme corners but is not clearly visible under the protective sleeve's glare. The direct edition marker is clean and legible with no color breaking. Interior pages and back cover were not assessed, so grade is based solely on this front cover image.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $1 | |
| MID_RAW | 4.0 – 6.0 | $2 | |
| HIGH_CERT | 9.8 SLAB | $60 |
// Archive commentary
Namor, The Sub-Mariner #56 falls in the closing stretch of the 1990 ongoing series that John Byrne launched and that passed through Jae Lee and Bob Harras before settling into a lengthy run by writer Glenn Herdling and artist Geof Isherwood, who supplies both the cover and interiors here. The issue is chapter three of "The Son of Namor," the storyline built around Llyron, the Atlantean heir engineered by the shapeshifter Llyra as a claim on Namor's throne, with the supporting cast of Tiger Shark, Stingray, Andromeda, Triton, and Vashti in play. It is a continuity-driven mid-run issue rather than a debut or origin, and it carries no first appearance or landmark event that price guides single out.
Market behavior follows the pattern of most 1994 Marvel direct-edition mid-run books: print runs were still large relative to surviving demand, copies are plentiful in high grade because the series was collected off the rack by direct-market buyers, and turnover is driven by run collectors filling gaps rather than by speculation. The issue has no CGC census presence, which reflects economics rather than rarity — the cost of certification exceeds any realistic return, so nobody submits. Demand upticks in the Namor title as a whole have tracked media attention on the character, but that interest concentrates on Sub-Mariner Comics #1, Marvel Comics #1, the Silver Age Tales to Astonish run, and the Byrne-era first issue, not the mid-1990s tail.
Buyers here are set builders completing the 62-issue run, Isherwood collectors, and readers following the Llyron arc from #55 through the finale in #57. Across grades the spread is compressed: low-grade copies function as reading stock and trade at bulk-box levels, while mid-grade copies command only a small premium because near-mint raw examples remain easy to source. The only meaningful upside sits at the certified end, where a first census entry in top grade would price against submission scarcity rather than collector competition, and where any such result should be treated as a one-off rather than an established market level.
INQUIRE_ABOUT_THIS_UNIT
Institutional buyers, auction houses, and private collectors — direct line to the archive.
