KITTY PRYDE, AGENT OF S.H.I.E.L.D. #3

Cover shows strong gloss and sharp corners with no visible creases or color breaks. Slight edge wear is visible along the bottom right corner and a faint bend near the top edge; spine appears tight with no stress lines visible in this view. The book is in a protective sleeve, which limits full assessment of surface sheen and back cover; interior pages were not assessed.

Kitty Pryde, Agent of S.H.I.E.L.D. #3, cover-dated February 1998, closes the three-issue Marvel miniseries written by Larry Hama with pencils and cover by Jesus Redondo, inks by Sergio Melia, colors by Glynis Oliver, and letters by Jim Novak. The story places Shadowcat aboard the S.H.I.E.L.D. Helicarrier alongside Dum-Dum Dugan and the Contessa Valentina Allegra de la Fontaine, with Wolverine and Lockheed in support, as the possessed agent Rigby Fallon becomes the vessel for Ogun and forces a final confrontation on the astral plane. The concept extends a thread Hama had long worked in his Wolverine and G.I. Joe material, and it revisits the Kitty-versus-Ogun conflict established in Claremont and Milgrom's 1984 Kitty Pryde and Wolverine limited series, so the issue reads as a coda to that earlier story rather than as an origin point for anything new.

Market behavior is that of a late-1990s Marvel miniseries with no first appearance and no census presence to speak of. Supply is ample relative to demand, and the book most often moves as part of a complete #1-3 run rather than as a single, which caps what a standalone copy realizes even in high raw grade. Third-party certification is essentially absent, so there is no established graded market to reference, and any certified copy would be priced against comparable slabbed modern X-adjacent minor issues rather than against realized sales of this specific number. Interest tends to track Kitty Pryde's broader visibility in film and television announcements, which produces short attention spikes without durable price movement on non-key issues like this one.

Buyers are Kitty Pryde and S.H.I.E.L.D. completists, Larry Hama collectors, and X-Men run builders filling the late-1990s satellite titles. Across grades the book compresses tightly: low-grade and mid-grade copies trade at bin money and are usually acquired incidentally within sets or bulk lots, while nice unpressed high-grade copies carry only a modest premium because the print run was recent enough that clean examples remain easy to source. Certification is discretionary here and rarely returns its cost; the practical case for a slab is registry or set-display purposes rather than resale arbitrage.