Approximate
Condition Profile
MARVEL COMICS · 10/69 · DIRECT EDITION
UNIT ECA-006523
IRON MAN #18
Late Silver Age Iron Man featuring the Unicorn, Archie Goodwin script and George Tuska art
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | October 1969 | Silver | Direct Edition | — | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-006523 | ~9.0 | Direct Edition | AVAILABLE |
| ECA-002588 | ~7.0 | Direct Edition | AVAILABLE |
// Run position
// Condition analysis
Cover shows strong gloss and sharp corners with no visible creasing or color breaks. Spine appears tight with no stress lines visible in this view. Minor handling wear may be present but not detectable at photo resolution; the book is in a protective sleeve which limits full edge inspection. Interior and back cover were not assessed, so grade is based solely on the visible front cover.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $4 | |
| MID_RAW | 4.0 – 6.0 | $10 | |
| HIGH_CERT | 9.8 SLAB | $42 |
// Archive commentary
Iron Man #18 (October 1969) closes out the 1960s run of the title with a script from Archie Goodwin and art from George Tuska, pairing Tony Stark against the recurring Marvel villain the Unicorn. The issue arrives at the tail end of the Silver Age, a period when Iron Man's rogues gallery and supporting cast were being fleshed out following Stan Lee and Don Heck's foundational work earlier in the decade, but this particular issue introduces no new characters or plot elements of lasting significance to the character's mythology.
Market data reflects a book of modest but persistent collector interest rather than a sought-after key. The CGC census shows a small pool of graded copies, and the top-grade FMV sits well below the levels typically seen for foundational or first-appearance issues from the same era, indicating that demand is driven mainly by series completists and Bronze/Silver Age crossover collectors rather than character-first speculators. Goodwin's script and Tuska's pencils are respected within the run but have not generated the kind of long-term secondary-market premium associated with landmark creative teams on the title.
This issue suits collectors building a complete run of early Iron Man rather than those chasing individual investment-grade keys. Raw copies in lower and mid grades trade cheaply and are widely available, while a 9.8 slab, though scarce on census, commands only a modest premium given the book's limited overall demand. Expect steady but unspectacular movement across all grades, with pricing largely tethered to general Bronze/Silver Age transitional-era interest rather than any standalone significance of this issue.
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