DARKHOLD: PAGES FROM THE BOOK OF SINS #14

Cover shows strong gloss and sharp corners with no visible creasing or spine stress in this photo; the book is protected in a plastic sleeve which limits full assessment of surface sheen. Edges appear clean with no chipping or tears visible, and colors remain vibrant with no fading noted. Minor handling wear cannot be ruled out due to glare from the protective sleeve, and the back cover and interior were not assessed.

Darkhold: Pages from the Book of Sins was Marvel's occult-horror entry in the Midnight Sons line, spun out of the 1992 Rise of the Midnight Sons crossover alongside Nightstalkers and Morbius. Issue #14, cover-dated November 1993, is written by Chris Cooper with pencils by Rurik Tyler, and turns inward on the series' central cast: Vicki Montesi's ancestral connection to the Montesi bloodline and the Darkhold itself is spelled out, while her decision to draw on the book's power to save a companion carries the damnation cost that drove the title's premise. It is a continuity-building chapter rather than a debut or origin issue, and it sits late in a run that ended at #16 as Marvel wound the Midnight Sons imprint down.

Commercially the book behaves like standard early-1990s Marvel mid-run inventory. Print runs were healthy, high-grade raw copies are plentiful because the title never attracted speculation at the newsstand, and third-party graded activity is effectively nonexistent — market databases show no meaningful certified sales for this issue number. Most transactions occur inside complete #1-16 run lots bought by Midnight Sons completists, which sets a low per-issue ceiling. The renewed attention the Darkhold concept received through Marvel Studios projects lifted interest in the first issue and in the Darkhold one-shots far more than it did the middle of this run, so demand here remains driven by set completion rather than by character-key speculation.

Buyers are collectors assembling the Midnight Sons line, 1990s Marvel horror readers, and dealers filling run gaps; auction consignment is rarely economic on a single copy. Across grades the spread is compressed: low-grade and mid-grade copies trade at essentially the same modest level, since condition-sensitive buyers can find near-mint examples without effort, and the only real premium attaches to a certified top-grade copy, where the price mostly reflects the cost and scarcity of submission rather than issue scarcity. The sensible approach is to hold the issue as part of an intact run, where it contributes more value collectively than it can realize on its own.