Approximate
Condition Profile
MARVEL COMICS · 6/94 · DIRECT EDITION
UNIT ECA-005833
CAPTAIN AMERICA #428
Mark Gruenwald-era Captain America adventure from the direct market twilight of the character's original volume
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | June 1994 | Modern | Direct Edition | — | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-005831 | ~9.4 | Direct Edition | AVAILABLE |
| ECA-005833 | ~9.2 | Direct Edition | AVAILABLE |
// Run position
// Condition analysis
Cover displays strong, glossy color with sharp corners and no visible creasing or spine stress lines. Edges appear clean with no chipping, and the barcode box (marked Direct Edition) is intact. Minor handling wear may be present but not visible at this resolution; interior pages and back cover were not assessed. The comic is protected in a plastic sleeve, suggesting careful storage.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $1 | |
| MID_RAW | 4.0 – 6.0 | $4 | |
| HIGH_CERT | 9.8 SLAB | $85 |
// Archive commentary
Captain America #428 arrived in mid-1994 during Mark Gruenwald's long tenure as writer, a period defined by ambitious, continuity-rich storytelling that carried the title through the early 1990s. Rik Levins provided art chores typical of the run, delivering competent, workmanlike superhero storytelling rather than a standout visual set piece. The issue sits within the broader arc of Cap's adventures following the "Man and Wolf" storyline, part of the steady procession of subplots Gruenwald wove across his celebrated ten-year writing stint, but it does not itself introduce a major character, mark an origin, or provide a storyline widely cited in price guides.
Market data reflects this: certified population is modest but unremarkable for a 1990s direct-market book, with the bulk of interest concentrated at the top of the grading spectrum. Sales activity is thin across the board, with only a handful of transactions recorded even at 9.8, and virtually no secondary market attention at mid or low grades. This pattern is consistent with a comic that was well-preserved by speculators at the time of release (as many were during the early-90s collector boom) but carries limited demand beyond CGC registry completists chasing a complete run of the Gruenwald era.
This is a book for Captain America run-builders and Gruenwald-era completists rather than speculative investors. Mid- and low-grade raw copies remain widely available and inexpensive, reflecting the high print runs typical of the period, while pristine 9.8 slabs command a modest premium purely on registry scarcity rather than storyline significance. Collectors assembling the full Gruenwald sequence or a complete Captain America volume 1 set are the primary buyers; the book is unlikely to see meaningful appreciation absent a broader reappraisal of this era's storylines.
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