BLACK PANTHER #2

Cover shows strong gloss and sharp corners with no visible creasing or color break. Spine appears tight with no stress lines visible in this view. Book is housed in a protective sleeve which limits full assessment of edges; a small amount of glare is present near the top edge. Interior and back cover were not assessed, so grade is based solely on the visible front cover.

Black Panther #2 continues the four-issue 1988 limited series written by Peter B. Gillis with art by Denys Cowan, part of Marvel's late-1980s effort to give T'Challa his first solo spotlight outside the Avengers and Fantastic Four ensemble casts. The series retooled the character's origin and Wakandan supporting cast for a new generation of readers, and Cowan's moody, angular linework brought a distinct visual sensibility to a hero who had spent most of the prior two decades as a guest star. The issue carries no first appearance, death, or other landmark event and is valued today as a solid but unremarkable chapter in that larger creative undertaking.

Market data shows a book with abundant high-grade supply: a 32-copy Universal census against roughly 40 total graded copies, with sales concentrated at the 9.8 tier. Pricing rises sharply near the top of the grade scale, with 9.8s trading around $95-96 consistently over the past year, while 9.4 and 9.0 copies bring only a fraction of that. This pattern is typical of a Copper Age direct-market title that was well preserved from the outset — collectors chase pristine slabs while raw or lower-grade copies see minimal demand.

This is a book for series completists and Black Panther character collectors filling out the Gillis/Cowan run rather than speculative buyers chasing a key. Mid- and low-grade raw copies trade for a few dollars and are readily available in back-issue bins, while the market's real activity sits at the CGC 9.8 level, where census scarcity relative to demand supports a modest but stable premium. Long-term value is tied more to renewed interest in Black Panther's publishing history than to any inherent scarcity of the issue itself.