Approximate
Condition Profile
ADHOUSE BOOKS · 8/09 · DIRECT EDITION
UNIT ECA-010904
B.P.R.D.: THE SOUL OF VENICE #1
Adhouse Books one-shot tie-in set in the B.P.R.D. universe
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Adhouse Books | August 2009 | Modern | Direct Edition | — | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-010904 | ~9.4 | Direct Edition | AVAILABLE |
// Condition analysis
Cover shows strong gloss and sharp square corners with no visible whitening or blunting. Spine appears tight and flat with no stress lines or ticks visible. No creases, tears, stains, or color breaks are apparent, though the book is in a protective sleeve which slightly obscures fine surface detail and edge inspection. Back cover and interior pages were not assessed.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $2 | |
| MID_RAW | 4.0 – 6.0 | $4 | |
| HIGH_CERT | 9.8 SLAB | $55 |
// Archive commentary
B.P.R.D.: The Soul of Venice #1 is a one-shot published by Adhouse Books in August 2009, produced as a tie-in extending the B.P.R.D. universe created by Mike Mignola beyond its usual Dark Horse imprint. Rather than a mainline entry in the ongoing B.P.R.D. series, it functions as a satellite release, the kind of one-off collaboration that occasionally surfaces around a popular property without becoming part of its core continuity. Its historical footprint is modest: it did not introduce new characters of lasting consequence to the franchise, nor does it mark a notable creative first for anyone credited on it.
The book's market profile reflects its status as a minor, low-print item rather than a sought-after chapter in the Hellboy/B.P.R.D. mythos. It trades close to cover price in raw form, changing hands mostly among completists assembling every B.P.R.D.-adjacent release rather than general superhero or horror-genre collectors. There is no meaningful population of graded submissions driving census-based pricing, and demand is thin enough that most copies simply sit in dealer stock or long boxes without turning over quickly.
Collecting interest in this issue is narrow: Mignola-verse specialists and Adhouse Books completists are the primary audience, with little crossover appeal beyond that niche. Raw copies in any condition are readily available and inexpensive, while a graded high-grade slab would appeal only to a small subset of collectors chasing a clean example for a themed run. It is best understood as a peripheral curiosity for B.P.R.D. collectors rather than a book with independent investment demand.
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