Approximate
Condition Profile
MARVEL COMICS · 7/90 · DIRECT EDITION
UNIT ECA-007162
AVENGERS WEST COAST #60
'Darker Than Scarlet' chapter pitting the West Coast Avengers against a corrupted Scarlet Witch, with Magneto and Immortus in play — Paul Ryan cover
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | July 1990 | Copper | Direct Edition | — | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-007162 | ~9.0 | Direct Edition | AVAILABLE |
// Run position
// Condition analysis
Cover shows strong gloss and sharp corners with no visible creasing or spine stress; colors appear bright and unfaded. There is a small amount of edge wear visible at the bottom corner and slight waviness suggesting light handling, but no major defects are apparent. The book is in a protective sleeve which limits full assessment of surface sheen. Interior and back cover were not assessed.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $2 | |
| MID_RAW | 4.0 – 6.0 | $4 | |
| HIGH_CERT | 9.8 SLAB | $60 |
// Archive commentary
Avengers West Coast #60 falls in the middle of the 'Darker Than Scarlet' sequence scripted by Roy Thomas and Dann Thomas, with pencils and cover art by Paul Ryan shortly before Ryan moved to Fantastic Four. The issue turns on Wanda Maximoff's psychological collapse and manipulation, setting her against the team roster of Wonder Man, U.S. Agent, the Wasp, Hank Pym and Iron Man while Magneto and Immortus maneuver behind events. Thomas layers in his customary continuity work, including a time-displaced Dallas sequence involving John F. Kennedy, tying Immortus's scheming to real-world history. No character debuts of consequence occur here; the arc's own notable first appearance, Living Lightning, arrives three issues later.
Market behavior is that of a late-Copper direct-market Marvel book printed in quantity: raw copies circulate constantly in bulk lots, convention boxes and dealer runs, and grade has little effect on price until the very top of the scale. The only meaningful premium attaches to high-grade certified copies, where population is small simply because few owners have found the book worth the submission fee. What demand exists beyond run collectors comes from the broader Scarlet Witch collecting field, which expanded after her screen prominence and sent buyers looking for her darker turns in print; that interest has lifted attention to the arc without producing the sustained bidding that defines a key.
Buyers divide cleanly. Run collectors completing West Coast Avengers volume two, and readers assembling the Thomas-Ryan stretch, absorb nearly all raw supply at bulk pricing and rarely pay a story premium for any single chapter. Registry and high-grade specialists account for the certified market, where a 9.8 trades as a condition rarity rather than a content rarity, and where the spread between 9.6 and 9.8 is the whole story. Dealers should treat mid-grade copies as inventory filler and reserve grading costs for copies that plausibly present at the top of the census.
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