WONDER WOMAN #184
Diana Prince era Wonder Woman, the mod no-powers run
// Unit specification
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-012736 | ~6.0 | — | AVAILABLE |
// Run position
// Condition analysis
Cover shows moderate wear consistent with a mid-grade Bronze Age book: a vertical crease/bend running through the lower left corner near 'THE LAST BATTLE' text, visible spine stress with some whitening at the top and bottom of the spine, and light corner blunting on the top left corner. There is a small tear or crease at the top left edge and general surface handling wear, but colors remain bright with no major color breaks, stains, or missing pieces visible. The book is in a protective sleeve which limits assessment of surface gloss; interior pages and back cover were not visible and were not assessed.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $12 | |
| MID_RAW | 4.0 – 6.0 | $43 | |
| HIGH_CERT | 9.8 SLAB | $300 |
// Archive commentary
Wonder Woman #184 arrived in October 1969 during DC's much-discussed retooling of the character, the so-called "Diana Prince" era that stripped Wonder Woman of her powers and Amazonian trappings in favor of a mod, secret-agent aesthetic guided by her mentor I Ching. By this point in the run the creative reins had passed from Mike Sekowsky to writer Denny O'Neil, with Don Heck handling the art chores that defined the back half of the experiment; the book remains a touchstone for collectors tracing the character's most unconventional creative period before her classic powers and costume were restored in the early 1970s.
Market data shows a book that is plentiful in the mid grades and scarce at the true top of the census, with only five copies at 9.8 among 92 universal submissions. Values sit modestly through the 5.0 to 9.0 range, reflecting steady but unspectacular demand typical of a non-key mid-run Silver Age issue, before rising sharply above 9.4 as the population thins and finish quality becomes harder to find. The jump from 9.4 to 9.6 already shows this acceleration, and the near-absence of 9.8s on census points to a further premium at the top of the grading scale.
This issue is best understood as a strong buy for completists of the Diana Prince run and Wonder Woman collectors filling out the 1968-1972 gap in their sets, rather than a book pursued for headline key status. Raw copies in low and mid grade trade cheaply and are readily available, while high-grade certified examples command outsized premiums driven almost entirely by census scarcity rather than any landmark story content. Expect steady, unhurried demand from character-run collectors and Bronze/Silver Age crossover buyers, with the ceiling set by whoever is chasing one of the handful of top-census 9.8 slabs.
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