Approximate
Condition Profile
DC COMICS · 3/88
UNIT ECA-001916
THE WORLD OF KRYPTON #4
Concluding issue of John Byrne's post-Crisis Krypton miniseries, with early Mike Mignola interior art
// Unit specification
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-001919 | ~9.2 | — | AVAILABLE |
| ECA-001916 | ~9.0 | — | AVAILABLE |
// Run position
// Condition analysis
Cover shows strong gloss and vibrant color with sharp, unblunted corners and no visible creases or spine stress lines. Slight glare from the protective sleeve makes fine surface detail hard to assess, and the barcode/indicia area is partially obscured, so newsstand/direct status cannot be confirmed. No tears, stains, or writing are visible on the front cover; interior and back cover were not assessed.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $2 | |
| MID_RAW | 4.0 – 6.0 | $3 | |
| HIGH_CERT | 9.8 SLAB | $60 |
// Archive commentary
The World of Krypton #4 closes the four-issue 1987-88 miniseries in which John Byrne rebuilt Superman's homeworld for the post-Crisis DC continuity established in The Man of Steel. Byrne scripted and supplied cover pencils over Walt Simonson inks, while interior breakdowns came from Mike Mignola with finishes by Rick Bryant, colors by Petra Scotese and lettering by John Workman. The concluding chapter brings the Van-L storyline and the Black Zero conflict to its end and delivers the sterile, emotionally cold Krypton of Jor-El and Lara that would anchor Superman continuity for the next decade, framed by present-day sequences with Superman himself.
Market interest in the series rests almost entirely on Mignola, whose work here predates his Marvel breakout and Hellboy, and secondarily on Byrne-era Superman completists. Print runs were large and the series has been reprinted in the Superman: The World of Krypton collection, so raw copies circulate freely and most transactions occur as complete #1-4 sets rather than as single issues. Certified copies appear only sporadically, and the absence of a consistent slab market means the high end is governed by submission economics more than by demand.
Buyers are Mignola collectors assembling early credits, post-Crisis Superman readers, and dealers filling Copper Age Superman runs. In low and mid grades the book trades as inexpensive reading material with minimal spread between brackets, which makes bulk or full-set sales the practical route. Only top-census certified copies command a genuine premium, and that premium is thin enough that grading is worthwhile only on pressable, sharply preserved examples.
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