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The Uncanny X-Men #263 front cover
~9.2 AI-Estimated
Approximate
Condition Profile
THE UNCANNY X-MEN #263
MARVEL COMICS · 7/90 · DIRECT EDITION
UNIT ECA-013967

THE UNCANNY X-MEN #263

Jim Lee pencils during the Genosha storyline

SIG 3/10 Available

// Unit specification

PublisherCover dateEraVariantKey attributeStatus
Marvel Comics July 1990 Copper Direct Edition AVAILABLE

// Copies in archive

UnitGradeVariantStatus
ECA-013959 ~9.2 Direct Edition AVAILABLE
ECA-013961 ~9.2 Direct Edition AVAILABLE
ECA-013963 ~9.2 Direct Edition AVAILABLE
ECA-013967 ~9.2 Direct Edition AVAILABLE
ECA-013969 ~9.2 Direct Edition AVAILABLE
ECA-013965 ~9.0 Direct Edition AVAILABLE
DATA SOURCES GoCollect ↗

// Run position

Part of an unbroken run · #262–#263 · 2 issues View all 75 available issues of THE UNCANNY X-MEN →

// Condition analysis

⚠ AI-Estimated / Approximate Condition Profile

Cover shows strong gloss and sharp corners with no visible creases or spine stress in this photo; the book is protected in a plastic sleeve which limits full assessment of edge wear. No fading, tears, or writing are visible on the front cover. Interior pages and back cover were not assessed, and slight glare from the sleeve may obscure minor surface flaws, so the grade is given conservatively.

// Valuation — market reference

⚠ AI-Estimated values — approximate, not an appraisal
BracketGradeEst. market valueMarker
LOW_RAW 0.5 – 1.5 $2
MID_RAW 4.0 – 6.0 $6
HIGH_CERT 9.8 SLAB $100

// Archive commentary

The Uncanny X-Men #263 (July 1990) arrives during the celebrated Chris Claremont/Jim Lee run that defined the team's late Copper Age look. The issue falls within the Genosha arc, in which Havok, Wolverine, Rogue, Storm, and Psylocke confront the mutate-enslaving island nation, continuing plot threads that would culminate in the X-Tinction Agenda crossover later that year. Lee's increasingly polished linework and Claremont's dense plotting made this stretch of the title a fan favorite, though #263 itself is not remembered for a first appearance, death, or other landmark event that would elevate it to key status.

Market data shows a book that is plentiful in high grade, with 139 Universal census copies and 58 alone at 9.8, reflecting the print runs and back-issue-bin ubiquity typical of early-1990s Marvel direct-market comics. Demand is driven almost entirely by Jim Lee's growing collector following rather than any narrative milestone, which keeps values modest outside the top census tier. The pricing curve is fairly flat through the mid-grades before a steep premium sets in near 9.8, a pattern consistent with a common, mass-printed comic that only becomes scarce in true gem condition.

This is a book for X-Men run-builders and Jim Lee art collectors rather than key-issue investors. Raw low- and mid-grade copies remain inexpensive and easy to source, while CGC 9.8 examples command a real premium driven by the difficulty of finding pristine surviving copies from a high-volume print era. Expect steady, unspectacular trading typical of a solid but non-key Copper Age issue.

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