Approximate
Condition Profile
MARVEL COMICS · 2/84 · NEWSSTAND
UNIT ECA-008419
THE THING #8
John Byrne-written Thing mid-run issue with a She-Hulk team-up, part one of "Ancient Evenings, Ancient Pain!"
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | February 1984 | Copper | Newsstand | — | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-008419 | ~9.0 | Newsstand | AVAILABLE |
// Run position
// Condition analysis
Cover shows strong gloss and sharp corners with no visible creases or color breaks; a faint vertical crease/reflection line runs through the upper title area, likely a light bend or plastic sleeve glare rather than a true crease. Spine appears tight with no visible stress ticks. The book is in a protective sleeve, which limits full assessment of surface and edges; back cover and interior were not examined.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $2 | |
| MID_RAW | 4.0 – 6.0 | $5 | |
| HIGH_CERT | 9.8 SLAB | $65 |
// Archive commentary
The Thing #8 continues John Byrne's short-lived solo series for Ben Grimm, launched during his tenure on Fantastic Four, and pairs the character with She-Hulk for the opening chapter of "Ancient Evenings, Ancient Pain!" Ron Wilson, the regular series artist, supplies the cover and interior pencils, with Hilary Barta inking and George Roussos on colors. The issue reflects Byrne's continued interest in expanding the emotional and adventure range of a character usually confined to a supporting role in the Fantastic Four books, giving Grimm his own rogues and stakes independent of the team.
Market activity for this issue is thin, consistent with a mid-run Copper Age title that never achieved break-out demand. Certified sales cluster at the top of the grading scale, with 9.4 and 9.6 copies trading in the $40-$44 range on a handful of transactions; there is no meaningful sales record below that band or at the unclaimed 9.8/10.0 tier, and the census itself is small. Demand is driven primarily by completists of Byrne's bibliography and Thing/She-Hulk crossover collectors rather than by any first appearance or landmark event.
This issue trades as a value-tier back-issue: raw low- and mid-grade copies are inexpensive and plentiful in the secondary market, while high-grade certified copies command only modest premiums reflecting genuine scarcity rather than demand pressure. Buyers are typically series runs collectors and Byrne completists; there is little speculative interest, and the book is best positioned in bulk lots or as a discounted addition to a broader Thing or She-Hulk collection rather than a standalone investment piece.
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