Approximate
Condition Profile
MARVEL COMICS · 7/83 · NEWSSTAND
UNIT ECA-008472
THE THING #1
First issue of Ben Grimm's solo series, cover and art by Ron Wilson
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | July 1983 | Bronze | Newsstand | — | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-008472 | ~9.0 | Newsstand | AVAILABLE |
// Run position
// Condition analysis
Cover shows strong gloss and sharp corners with no visible creasing or color breaks; spine appears tight with no stress lines visible. Minor light reflection/glare across the surface obscures fine detail assessment, and the book is in a protective sleeve which slightly affects visual clarity. No stains, tears, or writing are visible on the front cover; interior and back cover were not assessed.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $3 | |
| MID_RAW | 4.0 – 6.0 | $9 | |
| HIGH_CERT | 9.8 SLAB | $210 |
// Archive commentary
The Thing #1 launched Marvel's 1983 solo ongoing for Fantastic Four member Ben Grimm, written by John Byrne with art by Ron Wilson, who would remain the title's signature penciler throughout its 36-issue run. The issue arrived during a period when Marvel was expanding its stable of solo spinoff titles for established supporting cast and team members, and it gave Grimm his first sustained venture outside the Fantastic Four umbrella, exploring his relationship with Alicia Masters and his standing among the old Yancy Street Gang.
Sales data shows a typical Bronze Age distribution curve: values remain modest and closely bunched through the mid grades before spiking sharply at the top of the census, with 9.6 copies trading well below 9.8 examples. This shape is consistent with a high-print-run newsstand book from the early 1980s direct-market transition era, where survival in gem-mint condition is scarce relative to raw supply, but overall collector demand is driven by condition rarity rather than character-defining content.
The book is best understood as a solid title-run piece for Fantastic Four and Thing completists and Byrne/Wilson collectors rather than a headline key. Lower and mid-grade raw copies remain inexpensive and plentiful, reflecting the book's status as a common find in back-issue bins, while certified 9.8 copies command a real premium tied to the difficulty of finding pristine newsstand survivors rather than to any first-appearance or landmark-story significance.
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