THE SPECTRE #5
Doug Moench and Gene Colan continue their moody run on DC's second Spectre ongoing
// Unit specification
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-012618 | ~9.2 | — | AVAILABLE |
// Condition analysis
Cover shows sharp corners, strong glossy surface, and vivid color with no visible fading. No spine ticks, creases, or edge chipping are apparent in this photo; the book is protected in a plastic sleeve which limits full assessment of surface sheen. Interior pages and back cover were not assessed, so grade is based solely on the visible front cover.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $2 | |
| MID_RAW | 4.0 – 6.0 | $4 | |
| HIGH_CERT | 9.8 SLAB | $60 |
// Archive commentary
The Spectre #5 (August 1987) is part of the second ongoing series devoted to DC's spectral avenger, launched in the wake of Crisis on Infinite Earths as the publisher revisited its supernatural characters for a more horror-inflected line. This volume paired writer Doug Moench with veteran artist Gene Colan, whose shadowy, atmospheric linework suited the character's ghostly nature and helped define the visual tone of the series' early issues. Jim Corrigan, the murdered detective bound to the wrathful spirit of vengeance, remains the human anchor of the book, with the Spectre himself dispensing brutal, often gruesome justice to street-level and occult threats alike.
As a fifth issue in a title that ran thirty-one issues before John Ostrander's later, more celebrated run redefined the character, #5 sits squarely in the unremarkable middle of an early creative stretch rather than at any pivotal narrative juncture. It carries none of the hallmarks that drive premium demand — no first appearance, no origin retelling, no marquee guest-writer showcase — and the absence of a published fair-market value for the issue reflects that ordinary status. Surviving copies are plentiful in dealer inventory and online marketplaces, and demand is driven almost entirely by series completists rather than speculative or crossover interest.
Collectors who pursue this book are typically building a run of the 1987 Spectre series or assembling a Gene Colan art collection, and it trades accordingly: inexpensively in raw form across most grades, with only top-tier certified slabs commanding meaningful premiums due to the scarcity of high-grade submissions rather than any intrinsic rarity of the issue itself. It is best regarded as a reader's copy and a minor supporting piece in a longer Spectre collection rather than a standalone investment target.
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