Approximate
Condition Profile
MARVEL COMICS · 7/81 · NEWSSTAND
UNIT ECA-011622
THE SPECTACULAR SPIDER-MAN #56
Bronze Age Spider-Man newsstand issue from the Roger Stern/Al Milgrom run
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | July 1981 | Bronze | Newsstand | — | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-011622 | ~8.5 | Newsstand | AVAILABLE |
// Run position
// Condition analysis
Cover shows strong gloss and vivid color with sharp corners; minor spine stress lines are visible along the top portion of the spine and a few faint surface handling marks near the edges. No major creases, tears, or color breaks are apparent, and the barcode/newsstand box is intact and clean. Interior and back cover were not assessed, so grade is based solely on this front cover photo.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $4 | |
| MID_RAW | 4.0 – 6.0 | $15 | |
| HIGH_CERT | 9.8 SLAB | $160 |
// Archive commentary
The Spectacular Spider-Man #56, cover-dated July 1981, arrived during a period when the title was being steered by writer Roger Stern with art chores handled by Al Milgrom, part of the creative rotation that kept Peter Parker's second ongoing series a steady mid-tier seller through the early 1980s. The issue does not carry a first appearance, death, or other landmark event; it is a representative installment of the era's street-level Spider-Man storytelling, valued today primarily as a collectible extension of a well-loved run rather than as a pivotal chapter in the character's history.
Market data for this issue is sparse, reflecting its status as a non-key back-issue: only a small number of certified sales exist across the grade spectrum, with recorded results at 9.8, 9.4, and 6.5. The pricing curve is steep and non-linear, typical of Bronze Age Marvel newsstand comics, where raw low- and mid-grade copies remain inexpensive commodity items while high-grade certified slabs command a outsized premium driven by scarcity of pristine survivors rather than narrative importance.
This issue trades as a completist or run-filler book, appealing chiefly to Spider-Man title collectors assembling a full Spectacular Spider-Man set or to Bronze Age speculators focused on Roger Stern's writing credits. Raw copies in low and mid grades are readily available and inexpensive, while a true CGC 9.8 remains a scarce, thinly traded commodity whose price is set by a handful of transactions rather than deep, liquid demand.
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