THE SAVAGE SHE-HULK #8

Cover shows strong gloss and vibrant color with sharp corners and no visible creases or color breaks. There is a faint vertical crease/wrinkle visible near the top-center of the cover (through the logo area) and slight waviness in the cover surface, likely from the protective sleeve rather than the book itself, but it slightly affects the assessment. Spine appears tight with no visible stress lines or ticks. Edges look clean with minimal wear; the book is bagged, which obscures some fine surface detail and back cover was not assessed.

Published with a September 1980 cover date, this eighth issue of The Savage She-Hulk arrives midway through the character's debut series, the last Marvel title Stan Lee conceived before his long absence from monthly comics. David Anthony Kraft scripts, with pencils by Mike Vosburg and inks by Chic Stone, and Michael Golden supplies the cover; the story pulls Jennifer Walters into Man-Thing's orbit alongside Richard Rory, the hapless everyman who anchored much of the swamp creature's Bronze Age supporting cast, plus F.A. Schist and Professor Slaughter. It is a straightforward crossover chapter rather than a continuity milestone, but it sits in the run at the point where the title began leaning on guest stars to broaden its readership.

Market behavior tracks that status. Savage She-Hulk demand is concentrated almost entirely in the first issue, which carries the origin and first appearance and absorbs nearly all of the certification activity for the series; the mid-run issues circulate as inexpensive back stock in dealer boxes and clear quickly at modest sums in any presentable grade. What differentiates this number from its neighbors is the Golden cover and the Man-Thing tie-in, both of which draw a small but persistent crossover audience — Man-Thing completists and Michael Golden cover collectors — that keeps copies moving rather than stagnating. Certified examples are scarce simply because few owners find the submission economics worthwhile, so the high end rests on inference from the series' trajectory rather than on repeat sales.

Buyers here fall into three groups: run collectors filling the 1980 series, character completists chasing She-Hulk's earliest published appearances ahead of her wider media exposure, and Man-Thing specialists. Low-grade and mid-grade raw copies trade as commodity back issues and are best acquired in person or in bulk, where the spread between grades is narrow enough that condition premiums barely register. At the top of the scale the calculus reverses: with a thin census, a high-grade certified copy is priced less by the issue's importance than by the difficulty of finding one, and such copies tend to sell on patience rather than competition. Newsstand distribution was the norm for the title, so the format carries no premium over direct-market copies of the same period.