THE INHUMANS #3

Cover shows strong gloss and vibrant colors with sharp corners overall; minor whitening is visible at the top left corner and a faint vertical crease near the lower spine area. Slight wear along the top edge and a small amount of spine stress are visible, but there is no significant color break or tears. The book is in a protective sleeve, which limits full assessment of edges; back cover and interior pages were not visible for grading.

The Inhumans #3 (Marvel, February 1975) continues the short-lived 1970s solo series spun out of the team's popular Fantastic Four and Amazing Adventures appearances. Featuring the royal family of Attilan — Black Bolt, Medusa, Karnak, Gorgon, Triton, and Crystal, along with the teleporting dog Lockjaw — the book was part of Marvel's Bronze Age push to give its cosmic and street-level ensemble casts standalone vehicles. The series is best remembered today for its early Doug Moench scripts and the moody, detailed artwork of George Pérez during his formative Marvel years, though the Inhumans themselves would not achieve broader mainstream recognition until decades later.

Market activity for this issue is thin but orderly, tracking a conventional Bronze Age curve: modest values through the low-to-mid grades, a step up at 9.4 and above, and a sharp premium at the 9.6 and 9.8 tiers where survivorship drops off. With just eleven 9.8 copies on census against 102 total graded, Gem Mint examples carry a real scarcity premium relative to the broad mid-grade population, but the book has no first appearance or landmark story hook to drive demand beyond dedicated Inhumans and Pérez completists.

This is a book collected primarily by Bronze Age Marvel builders, Inhumans-team specialists, and early George Pérez art collectors rather than character-first speculators. Raw copies in low and mid grades trade cheaply and are readily available, reflecting ample high-census supply; the real action is concentrated at the top of the grading scale, where 9.6 and 9.8 slabs see a pronounced price jump driven by relative rarity rather than narrative importance. Expect steady, unspectacular movement across most grades with periodic spikes at auction for pristine census-topping copies.